Jump to content

Recommended Posts

A shot from Tankerton in Kent, UK. Sunset over The Isle of Sheppey. XE-2 + 18-135 lens with graduated ND filter. RAW converted in camera to be vivid plus bring brightness and shadows up. Transfer to phone to up contrast and then brightness again, cooled temperature and boosted saturation. 8ad81e7992fbf1de18e0b4afc2e77855.jpg

 

Sent from my SM-A310F using Tapatalk

Link to post
Share on other sites

  • 2 weeks later...
  • 3 weeks later...
  • 2 weeks later...
  • 2 weeks later...

X-T1 + Samyang 12 + Velvia

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Link to post
Share on other sites

Riverside

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Link to post
Share on other sites

  • 4 weeks later...

Early morning, just after sunrise. Cyprus. X-E2s with 50mm f2.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Edited by Woodworth
Link to post
Share on other sites

  • 5 weeks later...

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

In between rain and hail, I grabbed this shot.

Edited by Woodworth
Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

  • Similar Content

  • Posts

    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software  to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
    • How does one make sure that Fuji's image correction is turned on to correct barrel and pin-cushion distortion on a GFX 100 or GFX100S when using the GF20-35? Is it only applied to the jpegs and not to the raw files? (I was surprised to discover the barrel distortion on the GF 35-70mm lens.) I normally shoot in raw with jpeg back-up and use the raw files, which I convert either in Affinity Photo 2 when editing with that program or in Raw File Converter Ex 3.0 by Silkypix if I wish to process the image in Photoshop CS6. (Adobe DNG is also a possibility.) Thank you for the help. Trevor
    • Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

    • Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

    • Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

       
×
×
  • Create New...