Jump to content

Recommended Posts

23 F1.4 / 35 F2 WR / 56 F1.2

 

I already have the 23 and 56, just waiting for the new 35 to come out this fall. The 35mm focal length to me is less preferred most of the time to the 23mm, but would give me a weather resistant compact "normal" prime which I am very much in need of. If a 23mm f2 WR were to come out I may move to 16 F1.4, 23mm F2 WR, 56mm 1.2.

Link to post
Share on other sites

18, 27, 35 would be my pick.

 

If I traded the 18-55 for 18 and 27 which I'm still debating with myself.

 

27 to pack it in a simple pouch everyday in my bag, for hiking and for street candids.

 

35 if I'm going out for more serious "work" but still want it very light.

 

All three for travel.

Link to post
Share on other sites

16, 23 and 56. It's the perfect to-go choice for me.

 

Agreed. 16mm is wide enough to be different but still tight enough to work as an environmental portrait lens. 23mm is my favourite overall, and it's what I'd choose if I had to pick one lens. And 56mm is tight enough for headshots but still wide enough to be versatile.

 

Right now I have the 18, 23, and 35. Sort of the poor man's version of that setup. I got the 18 over the 14 for the size and speed, but the 16 would negate either of those for me.

Link to post
Share on other sites

I have the 14 and 56 now. I'd like to add the 23 next (I think).

 

If cost were no object I'd trade the 14 for the 16 for the extra couple of stops and toss a 10-24 in the bag for those times I'm digging the super wide vibe.

 

Speaking of the 23, the guy I bought my 56 from has (or perhaps had) one that he'd sell me for $600USD - am I likely to see one cheaper somewhere (I haven't yet but I don't check too often either)? I ask because I paid $550 for an 18-135 then a week later Fuji put it on sale for $599.

 

Mike

Link to post
Share on other sites

Right now I use the 14, 35 and 56 and that does me fine, other than the 14 being 1-1.5 stops too slow indoors sometimes.
 

The 14 will be sold once my 16 arrives, though. The 35 could easily be switched for the 23, or ditched completely, as I hardly ever go for a middle length. The 56 could be switched for the 60 if only the 60 was just a hair faster; the 56 doesn't offer enough compresson and I'll sell it straight away if a 70mm f/2 is ever released.

Assuming the 16mm does work out well, I'm confident I could use just the 16mm and 56mm and be fine. No need for a third lens, other than a desire to replace the 56 with something a tiny bit longer.

Link to post
Share on other sites

Perfect for portrait shoots: 35 56 90

Perfect for my traveling: 16 35 90

Perfect for events: 16 23 56

 

Those are of course my perfect combos. It all depends on what you're doing. There's probably no 3 prime combo to fit them all. If there was one, it would probably be 16 23 56/90 for me.

Link to post
Share on other sites

Right now I use the 14, 35 and 56 and that does me fine, other than the 14 being 1-1.5 stops too slow indoors sometimes.

 

The 14 will be sold once my 16 arrives, though. The 35 could easily be switched for the 23, or ditched completely, as I hardly ever go for a middle length. The 56 could be switched for the 60 if only the 60 was just a hair faster; the 56 doesn't offer enough compresson and I'll sell it straight away if a 70mm f/2 is ever released.

 

Assuming the 16mm does work out well, I'm confident I could use just the 16mm and 56mm and be fine. No need for a third lens, other than a desire to replace the 56 with something a tiny bit longer.

So in short, you're never happy with what you have.
Link to post
Share on other sites

I'm torn. I have 16, 23, 35 and 56.

Taking more than 2-3 lenses out with me is overkill, I find.

It means I have to carry a bigger bag and I start looking like 'the photographer' rather than just enjoying what I'm doing and having a camera with me.

I take what I can fit in my Billingham Hadley Digital - a camera with a lens on and 1-2 extra lenses

The 16 and 23 are definitely part of my kit

But I can't decide between 35 and 56

I like natural photography, close to what the human eye sees, but I'm torn between which of those 2 lenses are most useful

 

 

Sent from my iPad using Tapatalk

Link to post
Share on other sites

So in short, you're never happy with what you have.

Ha, true. I'm hoping the 16mm will solve that, though. On 35mm and 6x7 I typically either go wide or go narrow, rarely in the middle. So the 16mm and 56mm should have me sorted, finally. 

 

but yeah, then if Fuji put out a 70mm... well then I'd have to trade up again!  :D

Link to post
Share on other sites

On  the wide end I am in a quandry between the 14 and 16. I already have the 27 and 56.  I love the 27 for its small size yet good quality, and there is nothing not to like about the 56. If going for smallest lightest kit, 18,27 and 35f2 would make sense. For high quality and fastest 16,23,56 would be my choice.

Link to post
Share on other sites

On  the wide end I am in a quandry between the 14 and 16. I already have the 27 and 56.  I love the 27 for its small size yet good quality, and there is nothing not to like about the 56. If going for smallest lightest kit, 18,27 and 35f2 would make sense. For high quality and fastest 16,23,56 would be my choice.

I am actually in the same boat with regards to wide end.

Currently on 14 / 35 / 56, but may replace the 14 with 16mm.

Samples online look really good!

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

  • Similar Content

  • Posts

    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
    • First post here but long time fuji shorter. I use the XT2 with the 23mm f2 / 35mm 1.4 / 16-80mm f4 I'm considering the 23mm f1.4 r (Non-WR) About me: - I shoot black and white only. - I like macro details to wide open landscapes and everything in-between. - I shoot mostly for art, intrigue and creativity of the image. My question - is the 23mm f1.4 going to offer me any meaningful difference over the f2 for the above scenarios Thanks and sorry for bringing it up again...
    • I discovered this unmarked government installation today.  

      Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

×
×
  • Create New...