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The glare

X-T1 18-135mm

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Finder's reward - Finderlohn

 

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Berlin, Tiergarten looking towards the Soviet War Memorial. Taken with X100T.

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Mercado 28. Cancun, Mexico.

 

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Door man from Uganda,London 2015 

after 45min chat about cultural differences between European and  African culture and very intensive and  honest chat a did this portrait you can see proud father of 4 kids and 4 grand kids, he works in London and supporting them from here . Wealth redistribution...

 

Its jpeg straight from x100T nad i update from x100s i can say i see different speed  of controlling camera is much better ...waiting for some auto focus updated like xt1.

 

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Imigrant01,London 2015 sneak peak of resent project im working on in London , as usual jpeg straight from x100t added contrast in PS and resize to low res .

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All taken with my X100T.

 

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And one of my X100T (along with a couple of other cameras).  Accessories include an Artisan & Artist Silk Cord Strap, a Match Technical Thumbs Up Grip, a Fuji Lens Hood, B+W Neutral Clear MRC Filter and a Really Right Stuff Base Plate.  Also, the WCL-X100 wide conversion lens is almost permanently attached since I like shooting at 28mm.

 

19893920311_710576fda9_b.jpg

 

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Afternoon walk...

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    • A fungus in the forest.

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      (p.s. Open Topic.)  
    • The backslashes you are referring are just symbols denoting path.  Once you import into these LUTS into Davinci Resolve those backslashes are removed by default and you only see is the true file name which has no backslashes.  Convince yourself of this by opening the LUT folder from the Davinci Resolve Project Settings.  Do you see any backslashes in those LUT names? Of course not.  The only name you see is the one that has the underscores and the periods. These LUTS work as designed without having to change any path names.  However, they need to be set up properly through CSTs and by what is supported in Davinci Resolve.  Hence, the FLog2C film simulation LUTS cannot be used because Davinci Resolve does not support Fuji Gamut color space and the FLog2C gamut. Alternatively, Davinci Resolve does support Flog2 film simulation LUTS because the color space for FLog2 is Rec 2020 and there is an FLog2 gamut. If all you are doing is changing the path names then you are not getting the correct results.
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    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
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