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Here are some headshots I've taken, all with the X-T1 and 35 1.4. I really like the 50mm equiv. for headshots. I find there's not too much perspective distortion on most faces, and it feels more dramatic and personal to me.

 

16045292265_cc1647212f_c.jpgJeff BW by philbabbey, on Flickr

 

15989218300_270a08286e_c.jpgDSCF0086bw by philbabbey, on Flickr

 

15554172504_20ded11faf_c.jpgDSCF0070bw by philbabbey, on Flickr

 

16024177199_b8ff2b2978_c.jpgDave b&w by philbabbey, on Flickr

 

16024459317_cabbf0f336_c.jpgDave by philbabbey, on Flickr

 

16169749853_9f6b64f344_c.jpgJosh by philbabbey, on Flickr

 

17047472881_78e5bd2171.jpgDawn by philbabbey, on Flickr

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Here's another headshot, with the x100t - so 35mm equivalent. 

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  • 2 weeks later...

New here, but thought I'd throw in a couple of my own studio headshots. All X-T1 with either 56mm or 50-140mm.

 

These two were commercial jobs for an actress and a realtor:

 

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These are just me playing on an off day:

 

 

 

Critique/Comment welcome!

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Tereza , London 2015

 

x100s godox flash and octa softbox  

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William,London 2015

 

X100s godox and Roundflash beautydish 

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Tereza,2015 

 

#X100s 

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  • 1 month later...

I enjoy taking headshot as a memory when I travel. For this purpose I travel light with the FUJI 60mm attached to my XE-1 as secondary camera for portraits. Here are some headshots I took in Cambodia and Thailand. I'm a backpacker that enjoys taking photographs, I'll be more than happy to hear your comments in order to improve. 

 

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I was covering a childrens event at church yesterday. All taken with the X-T1 and 35mm. I just love this lens!

 

 

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An opportunity shot.  Replaced the BG because it was too busy and I liked the character in his face enough to think it worth while.

XT-1 18-55mm.

 

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Serena

 

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  • 3 weeks later...

I'm enjoying all these creative portraits! Certainly puts to rest, at least from my viewpoint, that the Fuji sensor isn't a good choice for portraits due to creating a "plastic skin look" or other comments on how faces look. Don't have my X-T10 yet but looking forward to it.

 

 

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Shorter focal length lenses provide an intimacy that longer focal lengths deny. For formal portraits, certainly the longer lenses are in order since formality is the antitheses of intimacy. The widest of lenses are great for environmental portraits, and as long as the subject is in the central area, distortion is minimal. A shift lens on an adapter offers the ability to move the subject out of the central area if following the suggestion of thirds composition. With people, short lenses do present a challenge, but have the potential to create very powerful relationships between subject and viewer.

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I'll join the party :)

 

Mira, Fuji X-T1, 56 1.2 APD

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I'm enjoying all these creative portraits! Certainly puts to rest, at least from my viewpoint, that the Fuji sensor isn't a good choice for portraits due to creating a "plastic skin look" or other comments on how faces look. Don't have my X-T10 yet but looking forward to it.

 

 

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I had that plastic skin look in the beginning, but I found that for studio use, Classic Chrome gives the best skin tones, onto which you can also add your own colouring afterwards, if required. Sharpening differently helps a lot too, I tend to go with amount 25, radius 0.7, detail 60-80, masking 0. This works fine for me and greatly improves how my images look.

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  • 2 months later...

X-T1 and XF56mm f/1.2

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    • Welcome, dear visitor! As registered member you'd see an image here…

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    • Anyone out there have any experience/feedback on the Laowa 55 mm tilt shift? I’d be using it on the GFX 50s ii. 
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    • This was snapped during a lunch.  Total shooting time—a few seconds. We so often read that a proper "portrait" should be snapped with a longer than normal lens, a low ISO to get lots of detail, and have a soft light held up above the head, and slightly to the side. The key, in my opinion, is always carry a camera.  Have your camera available to capture candid, authentic photographs.  Available light, no posing.   This portrait used 2000 ISO, the lens wide open at f4, and 1/100 sec. to stop any movement.  I didn't even take time to compose—I just snapped.  I leave the "Face Detection" on unless I'm photographing a landscape or subject other than a person. The GFX100RF has the equivalent of a 28mm lens.  The large sensor renders fine detail even at fairly high ISO ratings.  And the drawing of the lens is just perfect in my opinion.  It was set to B & W, with slightly reduced sharpness and clarity (set in-camera).  Ideal for "portraits."  Now, for some subjects I will likely increase the sharpness and clarity to the normal setting.  The camera is new, and I'm still experimenting with it.

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