Stealthy Ninja

So, that's one so far. One, one Fuji Photographer ahh hah ahaha ah

I created a bit of a comparison between the two and their profiles. All are edited from RAW in Lightroom http://www.aevansphoto.com/canon-1dsiii-vs-fuji-x-pro-2-colour/ Also added a few polls for a bit of fun.

Correction, has more Phase detect, not contast

Off the top of my head: 4K F-Log (via HDMI, also 4:2:2 via HDMI) Headphone jack (in grip) 3.5mm mic jack AF-C profiles Bigger/Better EFV Zebra Peaking during video recording Live audio monitoring that can be adjusted by assigned buttons More AF points and more contrast detect AF points Tilty sceen Both slots are UHS-II type (only slot one is on the xpro 2) Battery grip (xpro2 obviously doesn't have 11fps in boost mode and apparently it can go 14fps with some restrictions I think the buffer is bigger

Couple of months at least.

Both. Seriously

Hey Ace, you mentioned "audio ports" in plural. Does this mean there's a headphone jack? Also are they the annoying 2.5mm variety like on the X-Pro2 or the totally awesome 3.5mm variety like they should be?

Ha well I still own my 35 art and a 1DsIII for times I want to scratch that itch. Yeh I'd set it to f4 I guess, maybe a tighter aperture. Usually I set it to 25P and 50SS for video. Then adjust aperture to suit the exposure. If I wanted to have a particular aperture I'd adjust the lighting to suit the camera.

Nice thought. I'll think about that. It really depends what happens in the future. I'm at a bit of a crossroads in life right now, but definately an intriguing idea.

Sounds like bad luck more than anything. I hope mine is ok. I'd don't use it as heavily as you so maybe I won't know for a while.

Yeh you're right Ace. I don't disagree apart from on your opinion of the 56 1.2. I love that lens. Especially when used in conjunction with the 23mm 1.4. The old 35/85mm (FF) combo was my fave and I still love fuji's version. I also find it sharp at 1.2, shallow DOF can be challenging though. The 50-140 (70-200 equiv) truely is a workhorse lens. I agree for heavy work it can't be beat. I do wonder what happened to your 50-140 lenses? How'd they fail? Heavy use or something breaking that shouldn't?

That's highly debatable KR isn't to be taken seriously, that's for sure. He's a bit of a troll.

16-55 2.8 is a fine event lens. Especially coupled with the 50-140. 23mm 1.4 + 56 1.2 would also be a great event combo and the 56 1.2 is excellent for portraits.

Cool photo. Great lighting, colour temp is perfect and timing is right on.

How about windows support? I remember a rumour about this, but I forgot when it'll come.