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  1. I'm not usually a black & white kind of guy. And when I am i prefer to use Nik Silver Efex because it gives the best control. But I was out shooting some long exposures last night thanks to the sun returning to Michigan and realized that Acros + R is extremely fitting for long exposure cloud work.
  2. I cant decide between the 10-24 and the 16 mm 1.4 fuji lens. I have the xt-1 and x-70. As well as the 35m1.4 and 18mm f2 . I would really like a zoom but I also really want the wide low light capabilities of the 16. I do a wide variety of shooting now. Landscape, Street, Portrait, but i also want to get into more night shooting of downtown los angeles and the urban architecture and life and low light shooting. So i am pretty torn on which to go for. I am fairly new to photography and some people have told me that the 10-24 is really go in low light because of ois but I have no idea. I need to decide sometime today. Thanks for your help guys.
  3. Hello Everybody, I don't come so often on the forum, but I'm always following the fujifilm news. I Wanted to share some of my shots taken in iceland with my fujifilm x-pro2 and mostly the fujinon 10-24 1) Aldeyjarfoss waterfall 2) Vik Church 3) Hvitserskur troll
  4. Hey everybody, i want to buy a Fuji X-T1 with one of the kit lenses. Following lenses are available: 18-55 18-135 16-55 10-24 I already own following Fuji Primes: 23, 27, 35, 56 I am also interested in what color would you choose for the X-T1...silver or black? I am open to you recommendations. Thank you very much. Patrick
  5. HI guys, Did you ever wonder why 10-24 doesn't have fixed aperture values on it's aperture ring like other lenses with constant aperture? The answer is that 10-24 have actually variable aperture! But it slows it down by 4/3 f-stop on wide end. You can see that by looking through the front element of the lens while shooting wide open on 10mm. I found a way to shoot on f2.5 but it's not too reliable and may broke lens or camera. I believe it's possible to do the same by firmware update. So how does it perform on f2.5? Lens becomes slightly soft and there is some vignetting. I'm not sure if that is why Fuji decided to restrict it to f4 only. It also can be because on 14mm it becomes f2.8 - the exact the same as XF 14 2.8 prime lens. So it can be marketing restrictions. I did a quick test just to see how different can be DOF on 2.5 vs 4. Test conditions and scene are not too accurate, I'm going to do a proper test when I have enough time.
  6. Hi all, I'm new here, and a recent convert to the XT1 from a Canon 650D. I'm mostly into travel photography, and thankfully I got high enough up the learning curve to get some good shots on a recent trip to Chernobyl and Pripyat. These are mostly with the 10-24 iirc First we went to the Duga 3 radar array which is the most spectacularly big abandoned thing I've ever seen. And has awesome gates. Then we hit the road to Chernobyl. Pretty much all the roads are very long, completely straight and completely deserted. Then Pripyat Which has a ferris wheel...
  7. From the album: Montreal

    © Woodhouse Photography

  8. From the album: Montreal

    © Woodhouse Photography

  9. From the album: Montreal

    © Woodhouse Photography

  10. From the album: Montreal

    © Woodhouse Photography

  11. From the album: Montreal

    © Woodhouse Photography

  12. From the album: Montreal

    © Woodhouse Photography

  13. From the album: Montreal

    © Woodhouse Photography

  14. From the album: Montreal

    © Woodhouse Photography

  15. From the album: Montreal

    © Woodhouse Photography

  16. From the album: Montreal

    © Woodhouse Photography

  17. From the album: Montreal

    © Woodhouse Photography

  18. From the album: Montreal

    © Woodhouse Photography

  19. From the album: Montreal

    © Woodhouse Photography

  20. From the album: Montreal

    © Woodhouse Photography

  21. From the album: Montreal

    © Woodhouse Photography

  22. From the album: Montreal

    © Woodhouse Photography

  23. From the album: Montreal

    © Woodhouse Photography

  24. From the album: Montreal

    © Woodhouse Photography

  25. From the album: Philippines

    Line to Heaven Fort Magsaysay, Nueva Ecija Philippines

    © Glenn Mendoza

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