TMarshPhoto

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

I would throw a white reflector opposite the light just to fill the shadows a tiny bit, gives it a much more produced look and you can always go back and darken the shadows later if you don't like it. Other than that, thats a solid look for a portrait of pretty much anyone, softlighters are super versatile

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

MATT C by TMarshPhoto, on Flickr


MIKE MORAN by TMarshPhoto, on Flickr

some recent commissioned work! 

An image from my "Comedians" series.
x100
untitled-57.jpg by TMarshPhoto, on Flickr

untitled-1519.jpg by TMarshPhoto, on Flickr

X-t1
Sydney Gavigan by TMarshPhoto, on Flickr

X100 (the OG)
Ardy Sowe by TMarshPhoto, on Flickr

Also recently, I did some headshots for the college I work at. I played these ones really safe, just a 43" umbrella key and a 24x36 softbox as a soft kicker/rim light.
 
X-T1 + 56mm@2.8
 
LC-9 by Phil Babbey, on Flickr
 
LC-22 by Phil Babbey, on Flickr
 
LC-41 by Phil Babbey, on Flickr

X-t1
Sydney Gavigan by TMarshPhoto, on Flickr

X100 (the OG)
Ardy Sowe by TMarshPhoto, on Flickr

An image from my "Comedians" series.
x100
untitled-57.jpg by TMarshPhoto, on Flickr

Welcome to fashion. The New York market is VERY much like this, with these style of images.

Great job and good model. Now you should feather the light to light the rest of her body instead just her face. 

Good ol San Diego. XT2, 23mm1.4

An image from my "Comedians" series.
x100
untitled-57.jpg by TMarshPhoto, on Flickr

Hi Everyone-
 
I emailed the sitemaster for Fuji Rumor to request a petition or poll, with the hopes of getting Fuji Corporate to work more closely with Adobe to improve raw file support. Rather than rephrasing, here is the email itself.  I'm curious if other users share the same frustrations and/or what you'd like to see most from Fuji / Adobe for improved raw file handling. 
 
~~~
 
I'm wondering if FujiRumors could petition Fuji Corporate to work directly with Adobe to improve raw file conversions.  While I enjoyed the baked-in film simulations for jpegs, I miss the freedom of raw control and I'm particularly frustrated with the lack of lens corrections in ACR / LR. They say the corrections are build into the lens firmware - however I've tested converted raw files vs jpegs - they jpegs have distortion and vignetting correction applied, and in ACR there is no automated equivalent.    Back to the petition, there are four issues that need to be addressed: Useless Sidecar Files - Fuji, please have the camera-generated sidecar file contain the "as shot" film profile. End goal: When the user opens the file in ACR or LR, it should look identical to the JPEG. (Without having to apply it via additional steps). Film Profiles - Fuji, please provide the actual profiles to Adobe.  In-Camera Velvia and ACR-Applied Velvia are not the same. This is endlessly disappointing and frustrating. Lens Profiles - Fuji, please provide profiles to Adobe (like Canon and Nikon have!) so users can easily correct for distortion and vignetting.  Dynamic Range - Sidecar files should contain adjustments so DR200/400 files were automatically adjusted to match their JPEG brethren.  If Fuji is serious about pursuing working professionals and more advanced hobbyists - then they need to come to terms with the importance of working with Adobe.  They've created great hardware and film profiles that everyone enjoys, however the concept is completely crippled with the limited support for ACR/LR and limited use of sidecar file data to adjust film, lens and dynamic range profile information.  

X-t1
Sydney Gavigan by TMarshPhoto, on Flickr

X100 (the OG)
Ardy Sowe by TMarshPhoto, on Flickr

X-t1
Sydney Gavigan by TMarshPhoto, on Flickr

X100 (the OG)
Ardy Sowe by TMarshPhoto, on Flickr

T2 + 56
 
DSCF3212 by Kirill Sokolov, on Flickr

X-t1
Sydney Gavigan by TMarshPhoto, on Flickr

X100 (the OG)
Ardy Sowe by TMarshPhoto, on Flickr

Fujifilm X-T2 + Fujinon 23/1.4 + Fujinon 56/1.2
 
0047 by Kirill Sokolov, on Flickr
 
0045 by Kirill Sokolov, on Flickr
 
0044 by Kirill Sokolov, on Flickr
 
0029 by Kirill Sokolov, on Flickr
 
0012 by Kirill Sokolov, on Flickr
 
0004 by Kirill Sokolov, on Flickr

x-t2 + 23
 
DSCF2518 by Kirill Sokolov, on Flickr