Jump to content

Recommended Posts

Im new to photography, I've got Fuji X-T4 camera. Watched many videos on how to take photo's, played with camera settings. I was taking product images. Photos I'm taking are not sharp although I've set up recommended shutter speed, aperture etc. Im using ESDDI studio lights. Image on camera screen looks nice but when transferred to PC screen looks terrible.  What am i doing wrong?

Link to post
Share on other sites

Looks good to me - maybe its how you are viewing the image.

I notice that your link shows a low res version until you click on the show full resolution message.

Try downloading the full resolution image and viewing it - maybe try a viewer such as FastStone if the default Windows viewer is giving you problems.

Link to post
Share on other sites

The EXIF settings are below the image on the left side. The lens name is missing though, but just guessing from the entry for Maximum Aperture = 4.0, it could be a 35mm or a short zoom.

As Greybeard mentions, the low-res version as well as the larger version looks okay. Some things to note:

1.) The x and y resolutions are set to 72 dpi. On a computer screen which uses 96dpi or 120 dpi, you can run into some scaling issues from the monitor’s display algorithms that can make it seem softer than it is.

2.) You are shooting at f4, which does not have a deep depth of field such as what you may expect coming from cell phone cameras. What that means is that some parts of the image will seem soft or out of focus compared to others depending on the selected focus point — for example: the pen is fine, the letters seem soft. Try using f8 or f11 or even f 14 as a minimum for this shot and see if you get “sharper” images. Depth of field is an artistic effect that takes some getting used to.

HTH.

Edited by jerryy
Link to post
Share on other sites

Hi Jerryy! How is it going!

The lens in 16-80. I load jpg in Capture One and see that sharpness slider set to zero. It could be due the camera setup. When you switch the sharpness off  images might looks realy soft.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

I adjusted it as it should be and it helps a bit

Ruta, if you have RAF file as well post it here. C1 can show where the real focus point in the image is.

Edited by mdm
Link to post
Share on other sites

15 minutes ago, mdm said:

Hi Jerryy! How is it going!

Hello back at you! I am still ‘Alive and Kicking’. How are you doing these days?

But always though, as you and Greybeard show, I cannot get lazy in looking at these images, I should look closer. But the image, as shot, looks okay to me. 😀

Link to post
Share on other sites

18 hours ago, mdm said:

Hi Jerryy! How is it going!

The lens in 16-80. I load jpg in Capture One and see that sharpness slider set to zero. It could be due the camera setup. When you switch the sharpness off  images might looks realy soft.

I adjusted it as it should be and it helps a bit

Ruta, if you have RAF file as well post it here. C1 can show where the real focus point in the image is.

 

Apologies it took a while to get back to you. I had to retake a photo and share a RAF.

thank you for your help 

https://drive.google.com/file/d/14b7P2XHNJ14pzhtaQGEFUMubnrE5CJew/view?usp=sharing

Link to post
Share on other sites

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

This is the effect you get from shooting at f4 i.e. shallow depth-of-field (DOF).

If you look at the regions, the red one is 'sharper' than the green one or the white one. If you look closer at the green one and the white one, as you look from the center of the image out to their respective edgee, the 'sharpness' fades out evenly -- based relatively from where the camera was held.

If MDM is online today, he can show you some PP (post processing) ideas to remove softness. In the film days. photographers used various techniques to 'fix' the images such as unsharp mask and other contrast enhancers. Digital photographs sometimes need that same approach.

From the taking-the-shot perspective, for things like you have here, try using more DOF by way of increasing the f-stop. Start at say f5.6 or f6.4 and go up from there, but do not be surprised to find yourself shooting at f11 or so. There is also a technique called 'focus bracketing' that can be really handy for shots like this.

Do not be afraid of boosting the ISO to keep the image from being dark, the X-T4 has plenty of noise free latitude. Of course, there are tripods.

Uhh, at the risk of changing the subject, if you are intending to print these, try changing your camera settings to 300 dpi over your current 72 dpi and use the Adobe color space instead of the sRGB color space. But why do that is the subject for another different thread.

Link to post
Share on other sites

53 minutes ago, jerryy said:

This is the effect you get from shooting at f4 i.e. shallow depth-of-field (DOF).

If you look at the regions, the red one is 'sharper' than the green one or the white one. If you look closer at the green one and the white one, as you look from the center of the image out to their respective edgee, the 'sharpness' fades out evenly -- based relatively from where the camera was held.

If MDM is online today, he can show you some PP (post processing) ideas to remove softness. In the film days. photographers used various techniques to 'fix' the images such as unsharp mask and other contrast enhancers. Digital photographs sometimes need that same approach.

From the taking-the-shot perspective, for things like you have here, try using more DOF by way of increasing the f-stop. Start at say f5.6 or f6.4 and go up from there, but do not be surprised to find yourself shooting at f11 or so. There is also a technique called 'focus bracketing' that can be really handy for shots like this.

Do not be afraid of boosting the ISO to keep the image from being dark, the X-T4 has plenty of noise free latitude. Of course, there are tripods.

Uhh, at the risk of changing the subject, if you are intending to print these, try changing your camera settings to 300 dpi over your current 72 dpi and use the Adobe color space instead of the sRGB color space. But why do that is the subject for another different thread.

Thank you Jerryy! I'll definitely try it out :) 

Link to post
Share on other sites

Hi Ruta, I've checked the RAF in Capture One and you can see it shows the focus plain of the image painted in green.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

So, as Jerryy pointed out it's a very thin DOF that makes the most part of the image unsharp. Besides even shooting at F11 or F16 from this perspective you hardly get all-in-focus image. I agree that focus bracketing or focus stacking is the only way to go here.

What about your lens it's perfectly fine. I upload processed file and as you might find the area which is in focus is tuck sharp.

https://drive.google.com/file/d/1MuOChe5snmYV_Fqv13qeMqmN_LeRg5iD/view?usp=sharing

 

Edited by mdm
Link to post
Share on other sites

1 hour ago, mdm said:

by the way Ruta you shouldn't ignore black & white photography )

https://drive.google.com/file/d/1E5iGA5h-rbcVwjeqPf_6u5yLU4DzOmS9/view?usp=sharing

I love b&w photography but this shoot was done as a request, it had to be on colour.

 

 

27 minutes ago, jerryy said:

There is something almost magical about well done black and white photos!

 

Link to post
Share on other sites

I have to say, this may be the nicest forum I've ever been on. Thank you all so much for your help. I only hope that one day I know enough to pass on the knowledge to someone else. I will certainly investigate/try the techniques that you have all mentioned. Thanks again

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
    • First post here but long time fuji shorter. I use the XT2 with the 23mm f2 / 35mm 1.4 / 16-80mm f4 I'm considering the 23mm f1.4 r (Non-WR) About me: - I shoot black and white only. - I like macro details to wide open landscapes and everything in-between. - I shoot mostly for art, intrigue and creativity of the image. My question - is the 23mm f1.4 going to offer me any meaningful difference over the f2 for the above scenarios Thanks and sorry for bringing it up again...
    • I discovered this unmarked government installation today.  

      Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

×
×
  • Create New...