Jump to content

Officially announced: Fuji X-T4 comes on February 26!


Recommended Posts

I think the speed with which Fuji is rattling out new models will cause some people (myself included) to become anxious about the speed of obsolescence. Happy with my X-Pro2, and would prefer Fuji to show confidence in that, rather than racing to bin it in favour of the next incremental improvement.

Link to post
Share on other sites

I like Fujifilm (over other APS_C Systems) because of the lenses. I switched from Canon EOS D60; now mirrorless has the other advantage of doing eye recognition autofocus (eye AF). I am no pro, but an enthusiast (amateur). My current cam is the X-E1 for fun and the X-T2 for a little more serious shootings.

What's on my wish list?

1. A bigger grip with a bigger battery inside would be welcome. Of course, I do see other people who don't shoot 1.000 pictures a day on a city trip to London or Paris. These people want to keep the "film camera style" without an extending grip.

2. More film simulations - and film simulations that can be rendered to match any other film - would be appreciated, too. I made the disclaimer I switched from Canon; and on Canon cameras you can use 6 or 7 build-in / fixed "picture styles" plus 3 more of your own liking. And the Canon community build their own picture styles which are countless. (I myself rendered some, using the picture style editor.) Why not implement this alike in Fuji cameras?

3. Whenever I switch from studio shooting - owning a small own photo studio and shooting for friends exclusively - or flash shooting - I mean "off camera flash shooting", e.g. for photographing items I want to sell on the local community, like ebay, on a private basis - I feel there are so many adjustments to be made from auto iso to manual iso, auto shutter speed to manual shutter speed 1/125 or 1/160, white balance, electronic shutter to mechanical shutter, automatic viewfinder brightness film simulation; and maybe some more. So what about user customizable modes U1, U2, U3? I can figure out this point is not easily to be implemented on a camera with dedicated wheels for aperture, iso, and shutter speed. So...

... what about combining points 1 & 3 in another camera called X-H2 or - because it's too late now - call it X-H3? This would give a somewhat distinctive style to the H-series, which has little unique selling propositions when the X-T4 comes with IBIS.

Just my 2 cents and on the H-series instead of T-series. Okay but:

Thank you, Fujifilm, for listening!

Link to post
Share on other sites

If the X-T4 hopes to be more attractive to sports photographers, which some the of the rumors have indicated, they need to make the low light autofocus waaaayy better. They also need to make some wider aperture lenses with much faster autofocus.

Link to post
Share on other sites

STABILIZATION !!!  I have the 90mm with my T1 and T30 and no image stabilization BIG mistake from Fuji, hope the T4 has it otherwise I'm switching back to Sony which has everything in a smaller package. Was waiting for the Pro3 but Fuji screwed it with the stupid display.

Link to post
Share on other sites

  • 2 weeks later...
On 2/6/2020 at 12:51 PM, aldownie said:

I think the speed with which Fuji is rattling out new models will cause some people (myself included) to become anxious about the speed of obsolescence. Happy with my X-Pro2, and would prefer Fuji to show confidence in that, rather than racing to bin it in favour of the next incremental improvement.

I'm not concerned about how fast new models are coming out from Fuji, as I'm very pleased with my current Fuji kit. They are getting th job done for me and done well!

Link to post
Share on other sites

I bought the X-T1 the day it was first announced, since then I've been waiting for an X-T that would have IBIS.  I will buy the X-T4 the day it comes out and it will not be soon enough. I also have the X-T30 which I love for its weight and size.

Link to post
Share on other sites

  • 2 months later...
  • 11 months later...
On 2/6/2020 at 9:51 AM, aldownie said:

I think the speed with which Fuji is rattling out new models will cause some people (myself included) to become anxious about the speed of obsolescence. Happy with my X-Pro2, and would prefer Fuji to show confidence in that, rather than racing to bin it in favour of the next incremental improvement.

If your current camera does everything you want it to do for you, it's not obsolete even if Fujifilm comes out with the X-Pro7 or X-T7. Newer cameras always have more and more features that most of us don't need and don't use, especially when we only shoot still photographs.

 

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • The backslashes you are referring are just symbols denoting path.  Once you import into these LUTS into Davinci Resolve those backslashes are removed by default and you only see is the true file name which has no backslashes.  Convince yourself of this by opening the LUT folder from the Davinci Resolve Project Settings.  Do you see any backslashes in those LUT names? Of course not.  The only name you see is the one that has the underscores and the periods. These LUTS work as designed without having to change any path names.  However, they need to be set up properly set up through CSTs and by what is supported in Davinci Resolve.  Hence, the FLog2C LUTS cannot be used because Davinci Resolve does not support Fuji Gamut color space and the FLog2C gamut. Alternatively, Davinci Resolve does support Flog2 because the color space for FLog2 is Rec 2020 and there is an FLog2 gamut. If all you are doing is changing the path names then most likely you are not getting the correct results.
    • I found the reddit topic i refere to :  https://www.reddit.com/r/davinciresolve/comments/1pc3f1e/cant_apply_new_fujifilm_gfx_55_lut/ "Update for y'all, It's just like what @ExpBalSat said, it's because of the backslashes in the names break them. I changed the file name and it works now. "   For me it was the solution. Realy annoying if it doesn’t work for you 😕  
    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
×
×
  • Create New...