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Styled and shot these images of Elizabeth. X-T1, 56mm, 35mm f/1.2. Natural light and Nikon SB-910 speedlight for some images.

 

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Styled and shot these images with Jessica, who you MIGHT recognize from Asia's Next Top Model (if you watch that sort of thing) which is airing right now.X-Pro2, 56mm, 35mm f/1.4, 16mm f/1.4. Natural light, no modifiers.

 

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Don't take this very personally, but Somalia and Elizabeth are very weird and completely under the quality of other works. Blurry, out of focus, with very harsh flash light, and the models are very weird too, plus their combination of clothing...

 

Your first and last posts are excellent. I love the post processing, the light, poses, the model itself...

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Don't take this very personally, but Somalia and Elizabeth are very weird and completely under the quality of other works. Blurry, out of focus, with very harsh flash light, and the models are very weird too, plus their combination of clothing...

 

Your first and last posts are excellent. I love the post processing, the light, poses, the model itself...

:) Welcome to fashion. The New York market is VERY much like this, with these style of images.

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  • 3 weeks later...

Styled and shot a quick shoot with my good friend Rebekah. She's much more of a commercial face than editorial, so it was a much simpler shoot than what I'd usually go for. X-Pro2 with 35mm f/1.4 and 56mm f/1.2

 

 

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  • 2 weeks later...

Styled and shot these three quick looks with Pauline, who's shipping off to Japan for the summer for some overseas bookings. X-Pro2, 35mm f/1.4, 56mm f/1.2, X100T, EF-X20.

 

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Styled and shot a quick test with a good friend of mine, Alyssa, who've I've been working with since she first got started with modeling. I was using a natural light space for these images, but our shoot kept getting pushed back due to castings that day, and we had horribly rainy and darker skies. This ended up being a great low-light/high ISO test for the X-Pro2, pretty much all the images we shot were at ISO 3200 and above. I used the 35mm f/1.4 and 56mm for these, though I also used the 16mm f/1.4 in images not included here for NSFW reasons.

 

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Great work

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Quick simple test with new face Cameron last week. X-Pro2 + 35mm f/1.4 and 56mm f/1.2.

 

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Test shoot and short film with aussie beaut Claudia Todman. X-Pro2 with 16mm, 35mm, and 56mm, with the 18-55 for some video portions. Very impressed with the character and quality of the video coming from the X-Pro2 (I filmed in classic chrome) if you're willing to deal with some of it's limitations and quirks in post-processing.

 

June Gloom (short fashion film)

 

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Short editorial video and images from a job earlier this week for Urban Factory with my good friend Amy. X-Pro2 with 35mm f/1.4 and 56mm f/1.2, 18-55mm f/2.8-4 for video.

 

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Test with Krissle last week. X-Pro2, 35mm f/1.4 + 16mm f/1.4.

 

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Some personal work I styled and shot last week with my friend Nika. X-Pro2 with 16mm f/1.4, 35mm f/1.4, and 56mm f/1.2. Video was shot with the 18-55mm f/2.8-4.

 

 

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  • Posts

    • A fungus in the forest.

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      (p.s. Open Topic.)  
    • The backslashes you are referring are just symbols denoting path.  Once you import into these LUTS into Davinci Resolve those backslashes are removed by default and you only see is the true file name which has no backslashes.  Convince yourself of this by opening the LUT folder from the Davinci Resolve Project Settings.  Do you see any backslashes in those LUT names? Of course not.  The only name you see is the one that has the underscores and the periods. These LUTS work as designed without having to change any path names.  However, they need to be set up properly through CSTs and by what is supported in Davinci Resolve.  Hence, the FLog2C film simulation LUTS cannot be used because Davinci Resolve does not support Fuji Gamut color space and the FLog2C gamut. Alternatively, Davinci Resolve does support Flog2 film simulation LUTS because the color space for FLog2 is Rec 2020 and there is an FLog2 gamut. If all you are doing is changing the path names then you are not getting the correct results.
    • I found the reddit topic i refere to :  https://www.reddit.com/r/davinciresolve/comments/1pc3f1e/cant_apply_new_fujifilm_gfx_55_lut/ "Update for y'all, It's just like what @ExpBalSat said, it's because of the backslashes in the names break them. I changed the file name and it works now. "   For me it was the solution. Realy annoying if it doesn’t work for you 😕  
    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
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