Jump to content

Recommended Posts

No, sorry, not that excited. Maybe it's nice to work with, but the fact that it's only for some camera's and the fact that you have to keep the camera connected might be a minor for me. I take photo's when I travel and when they're on the computer I would like to work on them and now I have to take the computer and the camera to do so, instead of only the computer. 

Most of the time I'm happy with the Fuji OOC jpeg's, sometimes they need a bit of correction in Apple Photo's. When using RAW I'm fine with Affinity. So for now I'm not that excited . . . .

Link to post
Share on other sites

Being able to process RAW images at lightning speed using the hardware in e.g. an x-pro2 is pretty awesome. Way faster than any computer software on most consumer computers. And no more discontent with the look of the jpegs produced by the many different RAW converters on the market. This way you can process them the Fujifilm way, like in camera, but on a big screen. And you can still do it on the cameras 3" screen if no computer is around.

Link to post
Share on other sites

I guess you're kind of screwed if you need to reprocess and you no longer have access to that camera? Yeah the camera ASIC is fast to render/demosaic, but what else about your camera is actually faster than a fast SSD on your computer? Is that "lightning-fast" Fuji phone app that impressive? Think about it schlepping hundreds of full resolution files photos both ways. UHS-1 SD cards and USB-2 ports don't really have much of a place in a professional workflow....   I'm not saying I can't be done well, but given the sad history of camera makers making software, I wouldn't delete your copy of Iridient Developer just yet. 

Edited by Max_Elmar
Link to post
Share on other sites

I shoot RAW+jpeg and save everything (within reason). I rarely need my saved jpegs. I, fortunately, haven't ever needed a cloud backup jpeg. With the Raw Studio, I will now delete ALL my cloud backup jpegs. Really no reason for them at all with a relatively easy technique for accurate (ie, genuine Fuji in-camera processor) regeneration of jpegs from cloud RAWs.

Link to post
Share on other sites

 

If the program is able to use the camera engine to process the files into 16-bit TIFF files, I will be ecstatic!

 

Fuji does seem to know best how to process their own files for optimum results. The only issue so far is that if you want to do significant post processing, you will want access to 16bit data.

 

If Fuji supports this, it will be a huge step forward. Imagine getting the benefits of Fuji's understanding of images (very deep from decades producing lenses, cameras and film even before there was digital), combined with the well-developed film simulations while still maintaining the full bit-depth captured by the camera.

Link to post
Share on other sites

Apparently it will be some sort of preview. Given the usb2 connection of the camera I’m eager to see the quality of that preview. If it doesn’t fully represent the final product the software is kind of useless. A 5 sec. transfer is fine by me if that is all per picture, and once you are done with the edit, metadata is sent to the camera for processing into jpeg. I don’t think tiff will be an option.

Link to post
Share on other sites

  • 2 weeks later...

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
×
×
  • Create New...