Jump to content

Recommended Posts

Old question, maybe new answers?

I refuse to use Adobe subscription s/w and was wondering what people recommend other than LR. I am currently using ON1 Photo Raw 2024 Max, but lately it had been running into problems, I am using an M1 Apple MacBook Pro 16” with 2 TB SSD and 32 GB ram. Some options could include:

  • Capture 1
  • Silky Pix
  • Raw Therapy
  • ON1
  • DXO

I wan to process both X-Trans sensors from X-H2/S and Bayer from GFX. Over to you guys…

Link to post
Share on other sites

Hi Paul,

A few years back I went through an extensive review of raw developers/editors when Apple stopped supporting Aperture. I tried LR but did not like it. After eliminating several other software programs for various reasons, I narrowed things down to DxO and Capture One. Each of these has its strengths and weaknesses depending on your needs and preferences in working with files. Currently, I mainly use Capture One primarily because I use Fuji gear and find Capture One does the best job for Fuji files, although I have gotten similar good results with Olympus and Leica files. I do use the latest version of DxO for files that need to be denoised first and then transfer those files to Capture one as DxO has the best denoising software IMO.  DxO also has a standalone denoising program that is worth looking into for that alone.

Please note that Capture One has both a subscription and non subscription pricing option. Their pricing policies are somewhat controversial  within the Capture One community. I'd also take a look at Rod Lawton's website "Life After Photoshop" where he reviews a wide variety of software. I've found him helpful in the past.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
    • First post here but long time fuji shorter. I use the XT2 with the 23mm f2 / 35mm 1.4 / 16-80mm f4 I'm considering the 23mm f1.4 r (Non-WR) About me: - I shoot black and white only. - I like macro details to wide open landscapes and everything in-between. - I shoot mostly for art, intrigue and creativity of the image. My question - is the 23mm f1.4 going to offer me any meaningful difference over the f2 for the above scenarios Thanks and sorry for bringing it up again...
    • I discovered this unmarked government installation today.  

      Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

×
×
  • Create New...