Jump to content

Recommended Posts

I was at Sebring this last weekend, and took the opportunity to put the x-t5 and the viltrox 75mm f/1.2 (both with current firmware) through its paces.   I’m happy to report that the AF system was easily up to the task.   
 

The shots I’ve managed to finish processing are here…

Sebring 2023

I had also rented a xf150-600 from lensrental.com to see if I would like it.  It unfortunately too much lens, and offered few chances for being used.  The 75mm focal length was near perfect.  I did get to also use my XF 18mm f1.4 r lm wr which is a stellar lens as well.   

Edited by Edp
Link to post
Share on other sites

I’m new to Fuji, coming from a life-long affair with Canon.   My only experience with Fuji has been with this X-T5 (which has been pure love from the get go).  
 

As far as the Viltrox 75mm goes, it’s going to be an iconic lens for the x-mount (in my opinion of course).  Strictly speaking on IQ and build, it’s a must have, but at the price?   Then it becomes an absolute no-brainer.  I’ll be surprised if the price of 549   doesn’t go up by 100 within a year.   It’s a flat out bargain.   
 

Thanks for the kind words on the images!

Edited by Edp
Link to post
Share on other sites

  • 2 weeks later...
  • 4 weeks later...
On 3/24/2023 at 3:37 AM, Edp said:

I was at Sebring this last weekend, and took the opportunity to put the x-t5 and the viltrox 75mm f/1.2 (both with current firmware) through its paces.   I’m happy to report that the AF system was easily up to the task.   
 

The shots I’ve managed to finish processing are here…

Sebring 2023

I had also rented a xf150-600 from lensrental.com to see if I would like it.  It unfortunately too much lens, and offered few chances for being used.  The 75mm focal length was near perfect.  I did get to also use my XF 18mm f1.4 r lm wr which is a stellar lens as well.   

I would love to see these pics. The Viltrox 75mm will likely be my next lens purchase and I just picked up an xt5. Can you repost a working link or some pictures here?

Link to post
Share on other sites

10 hours ago, AKA Wayne said:

I would love to see these pics. The Viltrox 75mm will likely be my next lens purchase and I just picked up an xt5. Can you repost a working link or some pictures here?

Here you go.  You can click on the photo details icon to see the exif. 
 

https://edwardpalisoc.smugmug.com/Motorsports/Sebring-2023/

 

Link to post
Share on other sites

Editing is/was mainly pre-processing the raw files using DxO’s Pure Raw3, which automatically brings the processed image into Lightroom classic,  I then crop the frame to best accentuate the sense of action.   Then I’ll lightly touch up with dehaze, clarity, texture, followed by adjusting blacks, whites, and shadows to bring out detail if needed.   That’s about it.  The sensor in the X-T5 has far exceeded my expectations for color and IQ compared to what I was used to with my Canon gear (which has been sold off with the exception of two pieces). Panning with the X-T5 was even easier and more accurate than even the 5D mkIII I had been using before.  The Viltrox was spot on without hunting whether I back button focused or used AF-C with subject detection/automobiles (which worked very well, but I went back to back button focusing when there was a tight pack of cars.   
 

Be careful with f/1.2 - on the Fuji camera, it’s an insanely shallow depth of field.   You can easily be misled that the lens isn’t sharp focusing.   The range of what’s in focus can be measures in inches/cm.   Prep your camera for what your lighting is like, purposely target a shutter speed no faster than 1/320 depending on the car speeds and panning arc sweep (those cars were passing me at 160mph while 75 feet away), and adjust as needed.   I keep my iso as low as possible and generally shoot at  base 125 to maximize the dynamic range of the sensor.   Remember to shoot ETTR, and compensate if it’s a bright day.  It’s crazy how much detail is hidden in the shadows with this sensor.  

Edited by Edp
Link to post
Share on other sites

Thanks for the excellent analysis. Ive been considering getting Pure DXO Raw 3. Looks like you get great results. Just curious. Do you use the camera profiles in Lightroom? I use the in camera sims and shoot Raw + fine jpg. Seems a se.not to ise the film sims but looks like you are.gettomg amazing results with your method. Thanks again for the insight. 

Link to post
Share on other sites

Personally I don’t generally use profiles or presets, though on occasion I’ve tried them out, and sometimes have used them as a starting point, but that’s fairly rare.   I shoot raw and have used some film sims from Fuji weekly, but maybe it’s my OCD that keeps me shooting mostly raw only then tweak each image individually.   I tend to enjoy that process almost as much as taking the image.   Kind of seeing each deserve its own attention.  I do have a core approach (generally described above), then adjust based on what supports the composition.   Sometimes color distracts, so I’ll desaturate or go full B/W, other times focus on the color balance.   Not sure if that helps.  

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
×
×
  • Create New...