woodlander

"Everyone has done this" Fort Cochin, India 2018   Come check out my site www.josecarpin.com ... and don't forget to add me on instagram jose_carpin_photographer   Fuji X-T2 + XF23mm f2 R WR  

"Spin it!" Amritsar, India 2018   Fuji X-T2 + XF16mm f1.4 R WR   Come check out my instagram here: jose_carpin_photographer  

Zeiss Touit Macro 50/2.8

X-E1 with Samyang 12mm/2.0, jpg sooc, "velvia"

Greetings! Here is a Fall Color image taken with the X-T3...

Does this count as a fall picture? It’s the last flower left in the flower pot. Everything else has withered...
X-T2 & Zeiss Touit 50/2.8

Another one

One from our garden. The nicer part of autumn still lasts.   90f2, C1.

Big Bad Waves by Adam Bonn, on Flickr
 
X-Pro2 and XF35 (the F1.4 one)

Photo taken with X-T20, Samyang 12/2,0, Nissin i40 unleashed
 

Taken near Eibsee Lake, in the German Alps
 
X-T1 and 14mm at f/2.8
 

with Mamiya 80/4.0 Makro ...  

Grünes Heupferd auf Blatt ... by Enzio Harpaintner, auf Flickr

The highest mountains on the Colorado Plateau.  Outside Moab, UT.  If this were shot today, there'd be snow on the peaks.

Ok, I'm new at parts of this, so please, cut me a little slack....
Gear info:  Fujifilm X-Pro1, 50mm f/2 Leitz Summitar, shortest (10mm? Not sure, I can't read Russian) LTM extension tube.  ISO 200, f/11, 1/40th, -1 stop EV.
Image info:  I'd shot pretty much this same (series of) image(s) half an hour or so before, then imported the set into LR.  The plan was to shoot 5 images then stack, align and blend the bunch in PS, so I did.  Made for a pretty decent image overall, but I noticed two serious problems:  first, the closer-most elements (the moonflower seeds) were not in focus, and second, I finally saw the 'worms' others have described as being a problem with X-Trans images, and knew this would not stand.  So, I took the tray of 'Fall Harvest' moonflower pods back outside and re-shot them, but this time increasing the subject-to-camera ratio very slightly, decreased exposure by a stop, and re-shot two sets of seven images to stack.  Upon completion of that, I returned to my computer and imported the shots with the new Fuji-dedicated (Lite) version of Capture One.  Voila!  No worms!  And what I wanted in focus was indeed in focus.  I then proceeded to stack and process (tweaks in LR and Topaz Studio) the image to the result you see here.
A question, however:  As mentioned, I'm new to Fuji.  As such, Focus Peaking is new to me, and I'm finding I sometimes undershoot an area of (what I want to be) critical focus.  Does anyone have any manual, non-Fuji glass focusing tips they'd be so kind as to pass along to me?  I'm all for learning by trial and error, but jeez.....  
 

with X-H1 + Minolta 28/2.8 MD ...

tief im Walde, still und stumm ... by Enzio Harpaintner, auf Flickr

Rainy Monday.  Fujifilm X-Pro1 w/ (1948) 50mm f/2 collapsible Leitz Summitar. 

Tololoche,  Rincon de gayabitos, Mexico by Claude, on Flickr
 

XPro2 / 60 mm
Pink delight by Claude, on Flickr

Alouette Lake BC , Canada by Claude, on Flickr

holy shit ... dead end !
Mist-Sackgasse-Bokeh by Enzio Harpaintner, auf Flickr

...  

Natur pur ... by Enzio Harpaintner, auf Flickr
H1 + 16-55/2.8 WR