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Decide on your budget, add some more (for all of the things you will think you will need after you get a camera -- in-spite of whether you actually need them or not 😀). Once you do that, take a look here: https://fujifilm-x.com/en-us/products/cameras/ One of these will catch your eye. Ditto for the lenses. Check your local camera shop to see if they have some in stock. The various online sellers often have sales on the gear. Once you get a little closer, check back to make sure things are not too far off the mark, so to speak.

Hello, i started making some tutorials on the raw converter Darktable. These videos are for complete beginners. Two epidoses are online in English and in French. Many more are to come with some practical and theoretical content. Darktable works well with raf files and uses a scene referred linear workflow. Here is a link to the first video in English :

Why don't you give darktable a go. It is now a great raw developper and it is free.

Hello, i just made the fifth video in my introductory course to Darktable. It is a free opensource program that uses a scene referred workflow with a linear color space. The results promise to be of a higher quality than LR or C1 that both work in a display referred workflow.

You will not be disappointed with either of these lenses I can assure you of that!

XF lenses do not work on GFX cameras. Their image circle isn't large enough to cover the sensor. An APS-C lens covers about 25% of a GFX sensor. Some full frame lenses work with a GFX but only restricted to a smaller part of the image (about 70% of the GFX sensor). I've worked with the GFX50S and shortly with the GFX100 for fashion and portraits. The combination of the 32-64 and the 110 works very well. Alternative is the 45-100. For landscape I can recommend the 23. Combine that with the 45-100 and you have a nice kit covering most. You also mention longer glass (XF50-140). Note that for GFX there's essentially one longer prime lens: the GF250, which is a bit shorter than 140mm in APS-C equiv.) and one zoom: the 100-200 (a bit over 100mm in APS-C). Both are massive and quite a burden to carry around. Fuji claims that the GFX100S is only slightly larger than a full frame mirrorless, but that's only half the story. When you take the lenses into account it is considerably larger and heavier to carry around compared to full frame. Although the GFX platform by design is well-suited for landscape, there's only one native real landscape lens (23). I guess there's room for a wider lens there. There are some third party options but at a lower quality standard (and price level).