Jump to content

Recommended Posts

  • 2 weeks later...
  • 3 months later...

Capture One tethering. The light room version is a complete joke.

 Yes, real tethering.  Not some half assed solution that some jr engineer comes up on a Sunday morning before breakfast  that is so poorly implemented as to be an embarrassment for Fuji.

Link to post
Share on other sites

 Yes, real tethering.  Not some half assed solution that some jr engineer comes up on a Sunday morning before breakfast  that is so poorly implemented as to be an embarrassment for Fuji.

 

I was under the impression, that Fujifilm is open to the idea to disclose the communication protocols of the electrical contacts of the lens mount, to allow other manufacturers to create AF-adapters for other lenses.

 

Now, if that's true, I really would also love them to publish the programming interface of the cameras WIFI as well as wired communication. That would allow enthusiastic programmers (like me...) to develop alternative tethering solutions and make the remote-control-interface very useful. It would improve the cameras value at no cost for Fujifilm.

Link to post
Share on other sites

The price on B&H is $6499. So I guess you are willing to pay $1 more.

It is weather sealed as are the lenses.

 

Agree a 1.4x or 2x or both would be welcome ALONG WITH a 150 telephoto lens. 

 

Also would like a Mamiya 645 mount early on which allows AF.

Edited by algrove
Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I use a TECHART ring to mount Canon EF lenses on the GFX 50S-II and 100S-II, maintaining image stabilization and autofocus. The only limitation are lenses with a small rear element diameter that make it impossible to cover medium format. Fast lenses like the EF 85/1.2L or the 100-400L, however, work great.
    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
×
×
  • Create New...