Jump to content

Recommended Posts

I have ordered the Canon EF 400 f5.6L and a K&F adapter to hopefully give me longer-range option on my X-T4. I had the lens previously when I owned a Canon body but found it frustrating without any IBIS or lens IS as it's not the fastest of lenses at f5.6. This is going back some 10 years or so. I've subsequently changed from Canon to Sony then to Fuji. I'm very happy with my X-T4 but I have found the few native Fuji lenses I've tried to be disappointing in one respect or another and I definitely haven't the cash or incentive to try the Fuji 150-600 so I'm going the above route as I know the Canon lens is good under the right conditions and 2nd hand ones are a steal at the present time but I note that they seem to be selling quickly on MPB - they had 4 last week and now there's just 1 left. Maybe other people are thinking the same way? The X-T4 of course has IBIS and there is Topaz for high ISO noise when light conditions require cranking up the ISO, neither of which were available when I was using the Canon EOS system. Hopefully I shall be happy with the Canon 400 and adapter with a combined cost of half that of the Fuji telephoto lens albeit with 200mm less of focal length.

I shall be posting my results here as soon as I am able (probably within a couple of weeks) and hope that others may find this of interest, particularly with regard to autofocus and IBIS on this combination. Just to note, my other prime lenses are both Viltrox - 13mm and 75mm and I am very impressed by them.

Edited by BobD
Link to post
Share on other sites

Welcome to the forum.

That is a really good lens, hopefully it will give you many great images.

You did not mention which K&F adapter are getting, they make several, but not all of them have the aperture control ring on them. Since that lens does not have an aperture ring, the price for the adapter with the ring (if you want it) is not much more than for the one without the ring.

I am mentioning this so that if the menu does not allow you to change f-stops for that lens - adapter combination (the lens will stay wide open for every shot), it is still possible to get it to work.

Best wishes.

Edited by jerryy
Link to post
Share on other sites

13 hours ago, jerryy said:

Welcome to the forum.

That is a really good lens, hopefully it will give you many great images.

You did not mention which K&F adapter are getting, they make several, but not all of them have the aperture control ring on them. Since that lens does not have an aperture ring, the price for the adapter with the ring (if you want it) is not much more than for the one without the ring.

I am mentioning this so that if the menu does not allow you to change f-stops for that lens - adapter combination (the lens will stay wide open for every shot), it is still possible to get it to work.

Best wishes.

I've ordered the AF version without aperture ring as I found it at a very good price (new). I'm reasonably confident I can make aperture changes in the camera menu however if that turns out to not be the case I'll probably sell the adapter and get the other version, or possibly the Fringer, with the ring. TBH with the weather/light conditions we've had in the UK for some time now I'll probably find shooting at a constant f5.6 obligatory.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Link to post
Share on other sites

The adapter has arrived and I've been testing it on the X-T4 with the EF 400 f5.6 and so far I can't really fault it. Autofocus speed and accuracy is excellent, albeit tested only on single point focus, which is what I use 95% of the time. I can't comment on face or eye AF as I haven't tried it and I'm not a big fan of either anyway - just not features that I use. So far the lens is 'fixed' on its widest aperture of f5.6 but that has not been an issue for me at all so far and I have noticed during experimenting with camera settings that it has stopped down by itself for reasons that I am unsure about to be honest however it's very early days so it may be that there is potential to be able to alter the aperture on demand if I actually want or need to. I have yet to find any issues to make me wish I had gone for a considerably more expensive adapter with aperture ring. Attached jpeg, which has been through Topaz Photo AI and cropped, shows what this combination of lens and adapter can do

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

.

Edited by BobD
Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I found the reddit topic i refere to :  https://www.reddit.com/r/davinciresolve/comments/1pc3f1e/cant_apply_new_fujifilm_gfx_55_lut/ "Update for y'all, It's just like what @ExpBalSat said, it's because of the backslashes in the names break them. I changed the file name and it works now. "   For me it was the solution. Realy annoying if it doesn’t work for you 😕  
    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
    • First post here but long time fuji shorter. I use the XT2 with the 23mm f2 / 35mm 1.4 / 16-80mm f4 I'm considering the 23mm f1.4 r (Non-WR) About me: - I shoot black and white only. - I like macro details to wide open landscapes and everything in-between. - I shoot mostly for art, intrigue and creativity of the image. My question - is the 23mm f1.4 going to offer me any meaningful difference over the f2 for the above scenarios Thanks and sorry for bringing it up again...
×
×
  • Create New...