Jump to content

Recommended Posts

Now that I have played with my X pro2 for I while, it would be nice to have another body/lens to carry with it. I still have my X pro 1. I was thinking that my 14mm F2.8 would be good. But maybe not.

 

I have 56 , 35 (1.4) , 23  and a 50-200.

 

I would like to get the best use of my X pro 2 so I will probably use the 56 with that. Mostly people and landscape, so fast focus is not a requirement.

 

Any suggestions ( with reasons) would be helpful. 

Link to post
Share on other sites

Thanks guys for the feedback. I should have been a bit clearer on my question. I was thinking more technical than ergonomic. 

 

I did have an 18-55 with my XP1 when I bought it, but I rarely used it so I sold it. My most used lenses would be in this order. 35 (1.4) 14, 55-200, 56, 23. 23 is my least used, because I also have an 100S that I take everywhere, which has the 23. I love the lens, but just don't use it much.

 

Out of the the lenses, I have, I was wondering which will perform better with the XP1 sensor. I want to take advantage of the sensor in the XP2, so I am thinking that longer focal lengths will allow this, plus when cropping you won't lose as much. Plus the longer lenses will auto focus better on the XP2. ( not that I worry about that)

 

With the smaller sensor of the XP1 , less cropping. Plus I usually manual focus the 14mm anyway.

 

So technically, which one would be better on which body. I have been using the 14 on the XP1. I guess i'm going to have to head out and just do some shots with each lens on the two bodies and compare. 

Link to post
Share on other sites

  • 2 weeks later...

Thanks guys for the feedback. I should have been a bit clearer on my question. I was thinking more technical than ergonomic. 

 

I did have an 18-55 with my XP1 when I bought it, but I rarely used it so I sold it. My most used lenses would be in this order. 35 (1.4) 14, 55-200, 56, 23. 23 is my least used, because I also have an 100S that I take everywhere, which has the 23. I love the lens, but just don't use it much.

 

Out of the the lenses, I have, I was wondering which will perform better with the XP1 sensor. I want to take advantage of the sensor in the XP2, so I am thinking that longer focal lengths will allow this, plus when cropping you won't lose as much. Plus the longer lenses will auto focus better on the XP2. ( not that I worry about that)

 

With the smaller sensor of the XP1 , less cropping. Plus I usually manual focus the 14mm anyway.

 

So technically, which one would be better on which body. I have been using the 14 on the XP1. I guess i'm going to have to head out and just do some shots with each lens on the two bodies and compare. 

If it were me, I would tend to use the 14mm on the x-pro1 simply because fast AF is less critical when using ultra wide.  I do something similar sometimes by lugging along a X-E2 with a Samyang 12mm just in case.  I zone focus with it - f8 or 11 and nearly everything from 3ft to infinity looks sharp.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
×
×
  • Create New...