Jump to content

Recommended Posts

Recently made the switch from Nikon to the XT3. My Nikon post workflow ( Bridge / CS5) will not work with the XT3. Looking to replace with similar workflow to avoid learning an entirely different system.  Any thoughts would be appreciated

Link to post
Share on other sites

10 hours ago, KellyL said:

Thinking the same  just wanted to make sure that was the best option 

You'll get a lot of different opinions as to the "best" option unfortunately. Its going to be a balance between how much you want to pay, how much you are willing to learn new software and whether each option provides the functions you want.

There are some who have had trouble with processing Fuji X files with Lightroom - if that is a concern you might try the Adobe DNG raw converter route for a while and see if you like the results.

Link to post
Share on other sites

There is a lot of discussion on this.  Bottom line XT-3 files are handled fine by Adobe if you have a current version.  I have heard a large number of complaints about the subscription model, but it does work and it is what I use.

I also see a large number of Fuji users moving to Capture One as it does do a nice job with Fuji RAW files.  Adobe treats X Trans files as if they were Bayer sensor files causing noise and artifacts.  I have found if I use C1 import defaults as a preset to import into Adobe then Lightroom works just fine.

Most is a matter of personal preference.  I have tried and learned how to use most software options out there, but I started in Lightroom and I am comfortable in it.  So I figured out how to make it work.

Link to post
Share on other sites

40 minutes ago, dennisfriesen.me said:

Can you please explain how this works?

I first tested by importing an image (actually tested several) into C1 and Lightroom, then looked at the defaults.  I  did need to make corrections for the different scales, but I found two items making the big difference - sharpening & Noise Reduction.

1. Sharpening was set to roughly 18 by C1 compared to 40 in Lightroom.  Although I've learned since C1 will adjust sharpening based on image ISO. It is still roughly 18-25 compared to 40 in Lightroom.  As I understand it X trans sensor files will be sharper than Bayer sensor files so Lightroom defaults add too much sharpening (causing the artifacts & worms).  Lightroom is geared for Bayer sensor files - not X Trans.

2. Luminance/Color (Noise Reduction) in C1 is set to 50 every time, while Lightroom is set to 0.  C1 for Fuji adjusts Noise Reduction to compensate for the extra sharpness of the X Trans file.

I found if I import to Lightroom with the C1 defaults - that is a preset setting Sharpening to 20 and Noise Reduction to 50 I can work with my image in Lightroom much the same as with C1 and the results are the same.  I am much more comfortable in Lightroom so this is works very well for me.  C1 for Fuji is geared for X Trans files - you simply need to adjust Lightroom away from the Bayer sensor and more towards the X Trans sensor.

Actually what's best though, is to import into Lightroom with a preset Sharpening & Noise Reduction both set to 0.  I make all the global adjustments I want being cautious with contrast, texture, & clarity as those tools do increase sharpening.  Then I adjust sharpening and add masking as necessary (use ALT key).  If necessary (High ISO images) then I'll add Noise Reduction feeling free to go all the way up to 50 if necessary.

Link to post
Share on other sites

On 3/3/2020 at 2:47 PM, Lumens said:

Actually what's best though, is to import into Lightroom with a preset Sharpening & Noise Reduction both set to 0.  I make all the global adjustments I want being cautious with contrast, texture, & clarity as those tools do increase sharpening.  Then I adjust sharpening and add masking as necessary (use ALT key).  If necessary (High ISO images) then I'll add Noise Reduction feeling free to go all the way up to 50 if necessary.

Thanks!

Also the "details" slider in Lightroom should be set to 0. I think it's at 25 by default. That slider is causing those annoying wormy artifacts...

Edited by dennisfriesen.me
Link to post
Share on other sites

3 hours ago, dennisfriesen.me said:

Thanks!

Also the "details" slider in Lightroom should be set to 0. I think it's at 25 by default. That slider is causing those annoying wormy artifacts...

I think I do that when I shut down the the Sharpening & Noise Reduction I'll have to check when I get home.  If I remember correctly I move all the sliders in those categories to 0.

Thanks.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
×
×
  • Create New...