Jump to content

Recommended Posts

I put in my pre-order today for the Fuji XF 100-400.  I live in the Black Hills of South Dakota, surrounded by wildlife of all kind.  I do a lot of shooting with two friends who are both Nikon shooters (I was for 40 years) and they have great long lenses - one has the Nikon 400 and Nikon 600 and the other has the recent Tamron 150-600.    I sold all my Nikon stuff last year and have missed the long reach, but now I am going to be out in the field again with the bison, antelope, deer, prairie dogs, waterfowl and herons that live here in the beautiful Black Hills.

Link to post
Share on other sites

You really need to say that and make us all Soooo Jealous :)  I must wait before I pop for the 100-400.  Timing was really bad - it was announced right after popping for a 27" iMac for my Post Processing.  I can't complain and don't regret it - the iMac is marvelous, but the 100-400 is likely going to require a good tax return or something magical.  

 

I know Patience, Patience, Patience!  I  will be seeing what can be sold and saving my pennies!  :)

Link to post
Share on other sites

Yeah, this lens is due to be released right at the beginning of Egret nesting season. It should be fun. I've had to use either the 55-200 or my 6D with the 70-200 in the past.

 

I'm also hoping to get back to Colorado this year and maybe Yellowstone so I'm really looking forward to it. May also have to take it to the coast a few times and the zoo.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
×
×
  • Create New...