Jump to content

Recommended Posts

One of the advantages of the x100 series is the leaf shutter. Because there is an "all open" state for any aperture (to a point) you can expect to shoot with a shutter much faster than the typical sync speed of a focal plane shutter. My experiment has the x100s in manual exposure and the flash set to manual power.  I understand that success with fast shutter speeds may require a direct wire connection between flash and camera, radio transmission having internal transmitter/receiver delays that cause the flash to fire after the shutter is open for fast shutter speeds. I verified this with a Cactus v4 system and  the Nissin i40. I had success at shutter speeds up to 1/500 s, but by 1/1000 s the flash pulse mostly occurred after the shutter closed. The flash part of the exposure dropped significantly at the faster shutter.  I duplicated behavior if I used a Canon compatible ttl cable connecting the two. Somewhere faster than 1/500 shutter the flash exposure drops significantly for apertures f/2 and f/4.   Having failed with Nissin i40 I substituted a Nikon SB 700, another smallest flash that would fit in my bag easily.  It worked at shutter speeds up to 1/4000 s for both f/2 and f/4 apertures.  My guess is that the Nissen flash has a slight internal delay that causes it the fire after the faster shutter. I attach two files, the i40 flash at 1/1000 shutter showing the flash did not illuminate the subject, and the Nikon SB 700 at 1/2000 shutter showing the illuminated subject against a dark background (outdoors).

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Thank you. I will research it.
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
    • Typically you need to make sure the lens is compatible with the camera, i.e. check the lens compatibility charts for your camera, then make sure the respective firmwares are updated so older issues are resolved. After that, each lens has a manufacturer’s profile which will be embedded into the raw file meta data for the images captured using that lens. From there, it is up to the raw conversion software to apply the lens correction to the image. Different converters do that differently, some automatically, some only if a setting is turned on. For in-camera jpegs, the on-board converter does the corrections automatically, assuming the camera recognizes the lens, it applies a generic profile otherwise. I do not know if that can be turned off or not.
×
×
  • Create New...