Jump to content

Recommended Posts

I shoot with an XH2S, and I love it.  However, should Fuji release a 40mpixel camera in 2025 with really good autofocus, I would probably jump for it as well. (don't want to discuss the benefits of the existing cameras available).

My question is: I am headed to Africa for a Photo Safari in the Fall of 2025.  Wondering which lens people recommend.  I will be shooting from the back of a Jeep at various times of the day.  People who have shot in this type of situation with moving animals, what lens did you use/recommend?  There are a few to choose from.

Please share your thoughts!

Link to post
Share on other sites

You are probably going to need to add in some more information before anyone can begin to help you. Information such as 'how much budget are you using to purchase lens equipment and does that include all of the other camera related gear you will also need', 'what kind of tours are you intending to take part in -- strictly herd animals or more isolated opportunistic critter viewing', 'are you going for landscapes with animals or animal portraits', etc.

Link to post
Share on other sites

Thanks for the reply.

I have everything else I need, camera, computer and lens wise.  I am not a landscape photographer, so it will be mostly animals on safari.  I will be shooting people as well, but I have what I need for that.  Budget is not a concern, as most of the money is going into the trip, making the cost of an additional lens or so irrelevant.

Looking forward to hearing from everyone!

Link to post
Share on other sites

I appreciate your excitement and enthusiasm and hope you have you have a wonderful and safe journey there and while there and then back home again.

But slow down a bit and think about it some more. A XF200 mm f2 lens (which includes a 1.4 tc)  is going for around US$ 5000. That one would be good for many settings there but … for considerably less money you can get fantastic zoom lenses giving far more photography options and put the leftover money into a big stack of memory cards, batteries and chargers, etc. and have cash leftover to tip your travel guides and enjoy the local cuisines.

Landscapes with animals include things like elephant herds among the Baobab trees, cheetahs watching antelopes on the savanna, etc.

I often use a 150-600mm for various projects. I can easily handhold it and get sharp steady shots, but after a while it goes back on the tripod to finish up. IBIS, etc. does not work well at longer focal lengths, so plan on being able to work when you are tired. That type of outdoor activity wears your lens holding arm.

Link to post
Share on other sites

You may want to consider renting the lens in the country that you'll be traveling in.

Another suggestion, there are a number of photographers that lead photo tours in Africa, it would be fruitful to visit their websites and see what they recommend. From one I looked at, the recommendation was 2 camera bodies (a spare if one is damaged), and a 300 and 600mm lenses, with a quick aperture, say F2.8. The fast lens is recommended given that you'll be shooting in the early morning and at dusk when the animals are active.

If you are taking a tour or working through a lodge, see what they recommend and also whether they might rent or otherwise provide the equipment. A friend spent 2 weeks in SA and Botswana and only needed to bring a bunch of memory cards. 

Also, don't forget a computer and two spare SSDs to backup your photos. 

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I use a TECHART ring to mount Canon EF lenses on the GFX 50S-II and 100S-II, maintaining image stabilization and autofocus. The only limitation are lenses with a small rear element diameter that make it impossible to cover medium format. Fast lenses like the EF 85/1.2L or the 100-400L, however, work great.
    • I also use a Nikon to GFX Fringer and it works very well.  24mm f/1.8 vignettes so best used on 35mm mode.  50mm f/1.8 covers the entire frame very well with no issues and is a superb little lens. 105mm Sigma vignettes slightly but is perfectly usable. 300 f/4 likewise the 105.  I have a 70-200 f/20+.8 incoming to test so will report back but I'm expecting a little vignetting.  Even in 35mm mode the image is still 60MP and if you're prepared to manually crop and correct you can get 80-90 MP images.  I also have a C/Y to GFX adapter.  The 24mm Sigma Superwide vignettes strongly. Ditto 28-80 Zeiss Sonnar. 80-200 f/4 Sonnar is perfectly usable. All work fine as 35mm mode lenses.  I also have an M42 adapter which I tried with the Carl Zeiss Jena 135mm f/3.5 with good results. 
    • Ahh, the infamous brick wall photos… 😀 According to internet lore, if the dng converter does not properly apply the corrections, you can have it apply custom profiles that should work for you. How to do that is waaaaaay outside of this comment’s scope, but there are plenty of sites listed in the search engines that step you through the processes. Best wishes.
    • Jerry Thank you very much. That is extremely helpful. It seems that the camera and the lens have the latest firmware update, so it appears that the corrections should be applied automatically. The lens arrived this afternoon and I took some quick test shots, in which the correct lens information appeared in the EXIF files, so that sounds good. I used Adobe DNG converter to convert the Raw (RAF) files, and then opened the DNG files and saved them in PSD format. However, with a beautiful, clear, cloudless blue sky, there were no lines near the edges to check if distortion had been corrected. Another day I plan to photograph a brick wall. Thank you for your help.
×
×
  • Create New...