Jump to content

Recommended Posts

I noticed this today on Amazon: "Handevision HVIB4085FX IBELUX 40mm f/0.85 High-Speed Lens for Fuji X Digital Cameras".

I know nothing about the lens or the maker, save what it says on the page on Amazon. And of course I'm not promoting it. I just thought it was interesting that there was a lens this fast, and don't think I've seen its equal for our mount.

I did have a single element asphere that was just for one wavelength, for collimating light, so its optical performance would deteriorate rapidly away from the center. It was f/0.67. And I have a paper about a microscope objective design that gave an NA of 0.92 which corresponds to f/0.2, which could be a world record as far as I know. The paper is here:

https://arxiv.org/pdf/1611.02159.pdf

But not anything for mounting on Fuji X cameras.

Just thought it was interesting.

Link to post
Share on other sites

That lens you spotted on Amazon sounds really interesting! I'm not surprised that you're intrigued by its speed, which is something you don't see every day in a lens that's compatible with Fuji X cameras.

As far as the lens manufacturer goes and the quality of the lens itself, I don't have much experience with either of those. However, I highly suggest you do some research and read reviews from others who have used it to determine its performance and whether it's worth taking a chance on.

You mentioned that you have experience with fast lenses, including single element asphere and a microscope objective design with an NA of 0.92. That's really impressive! It's always fascinating to learn about other people's experiences with unique lenses and the optical performance they were able to achieve.

Link to post
Share on other sites

I already have the Fuji 50 mm f/1.0, which I like very much. It's a straightforward lens, not one of those that apply filters or odd optical corrections to modify the bokeh for artistic effect. In an ideal rectilinear lens, the bokeh would have uniform illumination and take on the shape of the iris diaphragm, and I think they can only modify that by introducing aberrations (primarily spherical) or vignetting filters. There's no accounting for taste, the heart wants what the heart wants. My personal taste is for minimized aberrations of all types, and my very rare toying with modification away from that only happens in post on long winter evenings. Given that I already own the lens I own, I don't think I'm buying -- but it is interesting! And I'd love to learn about even faster lenses....

Link to post
Share on other sites

Interesting!

I'm mystified by the statement "A 35mm equivalency would give you something like a 60mm at f1.2, except, it’s still going to be 1.5 stops brighter than an f1.2.". Why does a 35 mm equivalent imply a specific f/ number? This equivalency is simply about focal lengths that would give the same angle of view.

Link to post
Share on other sites

I think it just means that while you are getting a large amount of light because of the f/0,8 , you are going to have some more field in focus than what you would get on a full frame with f/0,8

I’m more inclined in looking at the images which show a lovely focus falloff - but the lens is too expensive for me so it’s all theory :)

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • I found the reddit topic i refere to :  https://www.reddit.com/r/davinciresolve/comments/1pc3f1e/cant_apply_new_fujifilm_gfx_55_lut/ "Update for y'all, It's just like what @ExpBalSat said, it's because of the backslashes in the names break them. I changed the file name and it works now. "   For me it was the solution. Realy annoying if it doesn’t work for you 😕  
    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
    • First post here but long time fuji shorter. I use the XT2 with the 23mm f2 / 35mm 1.4 / 16-80mm f4 I'm considering the 23mm f1.4 r (Non-WR) About me: - I shoot black and white only. - I like macro details to wide open landscapes and everything in-between. - I shoot mostly for art, intrigue and creativity of the image. My question - is the 23mm f1.4 going to offer me any meaningful difference over the f2 for the above scenarios Thanks and sorry for bringing it up again...
×
×
  • Create New...