Jump to content

X-T20 - XC 15-45 f3.5 Vs. XF 23mm f/2 R WR lens.

nictu

By nictu
in Fuji X-T2 / Fuji X-T20

 Share

Recommended Posts

nictu Newbie

nictu

Posted
Posted

Hi all,

I've been thinking of investing the the Fujifilm XF 23mm f/2 R WR lens as an 'improvement' to my current lens, the kit 15-45 f3.5 which came with my X-T20. Around £300 would get you a good example on the MPB website, but is it worth it? Is it that much of an improvement over the kit lens that it's worth the hassle?

Help and advice is much appreciated,

Nick.

Link to post
Share on other sites
itchy shutter finger Enthusiast

itchy shutter finger

Posted
Posted

I am a big fan of the XC 15-45, and while I do not own the 23 mm prime, I do have a 35 mm prime. I shot both lenses ad nauseum to see which was better, and as much as I like the XC 15-45, the prime offers the faster aperture and sharper detail, which doesn't really become a factor unless you print the photo or pixel peep it. The XC zoom, however, takes a mighty fine photo, and the utility of a zoom comes in handy when shooting while you are on the move. Not mention the XC's miniscule weight, also important when you are on the move.

The way I decide which to shoot relies mainly on my plans for the session. If I'm shooting creative compositions in a fixed location, I choose the prime every time. If I'm out and about, the XC 15-45 is my tool of choice. I am a proponent of having both, once you get used to the unconventional operation of the XC 15-45.   

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share
Go to topic listing

  • Similar Content

  • Posts

    • Don Barar
      LUT doesn't works on resolve

      By Don Barar · Posted

      The backslashes you are referring are just symbols denoting path.  Once you import into these LUTS into Davinci Resolve those backslashes are removed by default and you only see is the true file name which has no backslashes.  Convince yourself of this by opening the LUT folder from the Davinci Resolve Project Settings.  Do you see any backslashes in those LUT names? Of course not.  The only name you see is the one that has the underscores and the periods. These LUTS work as designed without having to change any path names.  However, they need to be set up properly through CSTs and by what is supported in Davinci Resolve.  Hence, the FLog2C film simulation LUTS cannot be used because Davinci Resolve does not support Fuji Gamut color space and the FLog2C gamut. Alternatively, Davinci Resolve does support Flog2 film simulation LUTS because the color space for FLog2 is Rec 2020 and there is an FLog2 gamut. If all you are doing is changing the path names then you are not getting the correct results.
    • PoorAlchemist
      LUT doesn't works on resolve

      By PoorAlchemist · Posted

      I found the reddit topic i refere to :  https://www.reddit.com/r/davinciresolve/comments/1pc3f1e/cant_apply_new_fujifilm_gfx_55_lut/ "Update for y'all, It's just like what @ExpBalSat said, it's because of the backslashes in the names break them. I changed the file name and it works now. "   For me it was the solution. Realy annoying if it doesn’t work for you 😕  
    • Don Barar
      LUT doesn't works on resolve

      By Don Barar · Posted

      Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • crazyfields
      Please save me from insanity 23mm f2 vs F1.4r

      By crazyfields · Posted

      Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
    • George_P
      Please save me from insanity 23mm f2 vs F1.4r

      By George_P · Posted

      I don’t have the 23 f2 but I have read several times that it is considered a little soft at close distance, compared to the 23 f1.4 lenses. These will also focus at shorter distance from the subject, esp. the new one. So that might make a difference. The new 23 f1.4 LM WR  has better resolution, esp. in regard to the 40Mpix sensors, which you don’t have on the X-T2. What practical difference that makes for the value of the pictures one makes is disputable and subjective.  f1.4 will gather more light but with a smaller DOF, which may be desirable in some situations but not so in others, depends. If you like to shoot close ups, you will probably use higher f numbers to get a bigger DOF. Same for landscapes. If you are a bokeh fan, yes the f1.4 lens are better.  The older 23 f1.4 lens that you are considering is a very good and respected lens. The f1.4 vs f2 aperture per se is perhaps not so important. The 23 f2 is very small, light and practical and a great lens for travel and landscapes. So, go figure. I am afraid I just sent you further down the road to insanity !
×
×
  • Create New...