Jump to content

Recommended Posts

Can I ask what lenses people use for manual focus when shooting video.  Fuji lenses are mostly manual focus by wire.

Its so important to easily rack the focus yourself (not with extra focus gear, just your fingers!)

Thanks

 

Link to post
Share on other sites

A lot of people will adapt lenses. I personally am using the sigma 18-35 via the Fringer. I know several others that prefer cinema glass and will go with Rokinon/Samyang EF DS line and just use a cheap dumb adapter.

There is cinema glass made for the x-mount, but from what I've read, you get better quality from going larger (less focus breathing and softness).

Finally, if you have the $$$ then you should naturally go for the MK glass that fuji makes themselves. Many would agree that it is the best zoom cinema glass but at $3-4k a piece... currently out of my budget.

Link to post
Share on other sites

  • 2 weeks later...

Thanks steeped.  Like you, I haven't got the $$$ for the best fuji. 

I'm starting selling low budget arty family portrait films (3-4 mins) & promo films for small businesses. 

Ideally I'd like a couple of Fuji fast primes that work well with manual focus, so I can occasionally do a  fast swop to stills & AF.

Link to post
Share on other sites

You do not need an adaptor for the Rokinon lenses, they have them in x mount versions

https://www.bhphotovideo.com/c/product/1047001-REG/rokinon_cv12m_fx_12mm_t_2_2_cine_lens.html

I have this one, it gives some pretty good results for not so much money. You can get it on sale from time to time from the various vendors. It is fully manual, with the toothy geared focus and aperture rings.

Edited by jerryy
Link to post
Share on other sites

Thanks guys, I'll look at the Fuji 23mm f1.4. I've been testing the 16-55 as well.

And the Rokinon/Samyang manual focus lenses are good value too, either with or without the toothy geared rings.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Similar Content

  • Posts

    • A fungus in the forest.

      Welcome, dear visitor! As registered member you'd see an image here…

      Simply register for free here – We are always happy to welcome new members!

      (p.s. Open Topic.)  
    • The backslashes you are referring are just symbols denoting path.  Once you import into these LUTS into Davinci Resolve those backslashes are removed by default and you only see is the true file name which has no backslashes.  Convince yourself of this by opening the LUT folder from the Davinci Resolve Project Settings.  Do you see any backslashes in those LUT names? Of course not.  The only name you see is the one that has the underscores and the periods. These LUTS work as designed without having to change any path names.  However, they need to be set up properly through CSTs and by what is supported in Davinci Resolve.  Hence, the FLog2C film simulation LUTS cannot be used because Davinci Resolve does not support Fuji Gamut color space and the FLog2C gamut. Alternatively, Davinci Resolve does support Flog2 film simulation LUTS because the color space for FLog2 is Rec 2020 and there is an FLog2 gamut. If all you are doing is changing the path names then you are not getting the correct results.
    • I found the reddit topic i refere to :  https://www.reddit.com/r/davinciresolve/comments/1pc3f1e/cant_apply_new_fujifilm_gfx_55_lut/ "Update for y'all, It's just like what @ExpBalSat said, it's because of the backslashes in the names break them. I changed the file name and it works now. "   For me it was the solution. Realy annoying if it doesn’t work for you 😕  
    • Here is the solution to using the Eterna 55 file simulation LUTs in Davinci Resolve.   In general, do not use the FLog2C to film simulation LUTs as they are not supported by Davinci Resolve for two reasons: 1) Davinci Resolve does not support Fuji Gamut Color Space and 2) Davinci Resolve does not support FLog2C gamma.  Instead, use Flog2 which is supported by Davinci Resolve.  Here is an example.  Let's say that you want to use Classic Chrome simulation.  Do the following: Complete your color grade and use a CST to get to Rec 709. Add a node.  Use a CST to convert from Rec 709 to FLog2.  Output Color space is Rec 2020 and Outout Gamut is FLog2. Add a node.  Apply the FLog2 to Classic Chrome LUT Create a combination node from node in steps 2 and 3. Apply a Key to the combination node and adjust the Key Output Gain to get the amount of the combination node that you want applied. So that you do not have to do this over and over again, generate a LUT for the combination node.  Remember to turn off all other nodes before generating the LUT. Hope this helps others. Don  
    • Thanks for the insights. I think it's really hard to make a decision without having the two side by side! 
×
×
  • Create New...