Jump to content

Giampaolo Masserano

Members
  • Posts

    441
  • Joined

  • Last visited

  • Days Won

    79

Everything posted by Giampaolo Masserano

  1. Me too, just look at my gallery ...😉
  2. I use an ancient method. A blower to remove the dust and then a cotton swab after having breathed on the viewfinder glass to "mist" it. Never had any problems ...😇
  3. We are ALL waiting for the MTF tests of the GF 20-35, to verify if the optical quality is comparable (or better?) to the fixed lenses (in particular the GF 23 and GF 30) !!! We hope that some independent company will soon examine this lens which, on paper, appears to be very good. Meanwhile, it is known for sure that deliveries to stores will be delayed due to the shortage of electronic parts and the large number of reservations.
  4. When I used Leica reflex (film), a technician suggested a very light lubrication using (with extreme caution) a cotton swab with a single drop of lubricant and then wiping with a paper towel to distribute it better, eliminating any drop even the smallest. With the digital sensor so exposed, you have to be even more cautious. I also had the same problem with the GF35-70, but after some assembly / disassembly the necessary force decreased. The new "bayonet" must also be "run in" due to the presence of the rubber seal ring
  5. From the album: Photos

    Acrobatic experiment! Fuji GFX 50S-II with Canon EOS 500 f4 L IS USM + 1.4X and TECHART adapter
  6. From the album: Photos

    Acrobatic experiment! Fuji GFX 50S-II with Canon EOS 500 f4 L IS USM + 1.4X and TECHART adapter
  7. From the album: Photos

    Since the Middle Ages, this fortified house has been surrounded by legends, especially about the presence of the devil within its walls ... The name Lucedio, in fact, is that of Lucifer.
  8. Hello schoepy I have owned the GFX 50S-II since March (with around 2000 shots) and this problem has not occurred yet, thankfully. The problem of burnt pixels is typical and unique to the sensor structure and seems to afflict many cameras of many different brands. I think the cause is the frenzied rush to resolution / sharpness, which generates increasingly "dense" sensors: it is clear that among many millions of pixels "someone" can go wrong ...
  9. In the center of Turin, the historic houses have elegant and architecturally valuable entrance halls.
  10. From the album: Photos

    In the center of Turin, the historic houses have elegant and architecturally valuable entrance halls.
  11. From the album: Photos

    In the center of Turin, the historic houses have elegant and architecturally valuable entrance halls.
  12. From the album: Photos

    In the center of Turin, the historic houses have elegant and architecturally valuable entrance halls.
  13. From the album: Photos

    19th century gallery, with historic rooms where politicians and sovereigns passed
  14. From the album: Photos

    Fuji GFX 50S-II + Pentax 645 A 120 macro
×
×
  • Create New...