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On February 4, Fujifilm will host the third Fujifilm X Summit in London. Starting at 8pm, discussions and announcements can be followed live on the live stream. Not yet officially announced: If new products will be launched … For more information, schedule and live stream, visit the Fujifilm X Summit website

Fuji has released a firmware update for the new Fuji X-Pro3. Version 1.03 has these features: The phenomenon is fixed that in rare cases, a freeze could occur. The phenomenon is fixed that the color tone of recorded images is not recorded correctly in AF-C mode and continuous shooting. » Official Fujifilm Download Site

Fuji has released a Fuji X-T3 firmware update. Version 3.20 has these features: Enhanced autofocus. Improving the tracking performance of the eye AF frame, making it easier to attain accurate autofocus on the eyes. Improving face-detection performance when there are faces of different sizes within the same frame, making it easier to attain accurate autofocus. Improving autofocus capability on a foreground subject even when there is a mixture of foreground and background subjects within a AF frame, causing the foreground subject to go out of focus, e.g. when shooting flowers against a busy background. Capability to save up to 9,999 pictures in each folder. Until now, the number of pictures that can be saved in a folder on an SD card was limited to 999. This update will raise the limit by ten times to 9,999 pictures. The phenomena below during a movie shooting are fixed. Focus hunting at the minimum aperture. A black line can sometimes appear on the bottom of the center. Fix of minor bugs. » Official Fujifilm Download Site

Fujifilm launches mirrorless digital camera “FUJIFILM X-T200” Unique color reproduction technology to capture precious memories in vivid colors A compact and lightweight camera body with 4K video capability and fast AF that can accurately focus on a moving subject, faces and eyes Tokyo, January 23, 2020 — FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce the addition of the “FUJIFILM X-T200” (X-T200) to the lineup of the X Series of compact and lightweight mirrorless digital cameras that deliver outstanding image quality with Fujifilm's proprietary color reproduction technology. The X-T200 is scheduled to be released in late February 2020. The X-T200 is a mirrorless digital camera that inherits the “central viewfinder style,” adopted by the popular X-T Series such as the FUJIFILM X-T3 that boasts advanced mobility and excellent operability. The compact and lightweight camera body, weighing just 370g*, is equipped with an APS-C sensor packing 24.24 million pixels and a high-performance image processing engine. The use of the unique color reproduction technology, nurtured over many years, recreates “memory colors” or colors as one remembers in one's memory, such as naturally beautiful skin tones, vivid lush greens of early summer and deep blues of the sky on a bright sunny day. The camera's AF performance has been enhanced by placing on-sensor phase detection pixels across the sensor and adopting a further evolved algorithm. This enables outstanding AF tracking of a moving subject and AF on faces / eyes, as well as giving the ability to attain focus quickly and accurately even in low light conditions. The X-T200 is a mirrorless digital camera capable of producing not only premium-quality photos but also full-fledged video, catering to the needs of photography enthusiasts and users who want to step up from smartphone cameras, trying to capture and record precious memories with ease and in high image quality. Fujifilm will continue to evolve the X Series including the X-T200, the GFX Series of mirrorless digital cameras incorporating with large format** sensors and their extensive lens lineups to deliver the joy of photography. * Including the supplied battery and a memory card ** An image sensor measuring 55mm diagonally (43.8mm x 32.9mm), with the area approximately 1.7 times that of a 35mm sensor Main features (1) Small and lightweight body, unique color reproduction technology and excellent AF performance for capturing photos of premium image quality with ease The 370g compact and lightweight body, some 80g lighter than the previous model***, contains a 24.24MP APS-C sensor and a high-performance image processing engine. The use of the unique color reproduction technology, nurtured over 80 years, recreates “memory colors” or colors as one remembers in one's memory, such as naturally beautiful skin tones, vivid lush greens of early summer and deep blues of the sky on a bright sunny day. The camera's AF performance has been enhanced by placing on-sensor phase detection pixels across the sensor and adopting a further evolved algorithm. This enables outstanding AF tracking of a moving subject and AF on faces / eyes, as well as giving the ability to attain focus quickly and accurately even in low light conditions. The camera also offers a variety of automatic functions including the Advanced SR Auto, which automatically selects the optimum shooting settings according to given scenes such as portrait, landscape and night scape, so that the users can take high-quality pictures with ease. The sensor uses copper wiring to make the speed of data readout 3.5 times faster than that of the previous model**, thereby significantly reducing the rolling shutter effect4. The camera boasts continuous shooting of 8fps. It is combined with the fast and accurate AF capability to capture a decisive photo moment. ***Compared to the mirrorless digital camera “FUJIFILM X-T100” *4A distortion to a subject that occurs when shooting a fast-moving subject with the electronic shutter (2) Outstanding operability with the bright and large widescreen LCD monitor and other features The X-T200 features a 3.5-inch widescreen LDC monitor with the aspect ratio of 16:9, offering the touch response performance equivalent to or greater than smartphones in general to enable intuitive operations. Shooting settings can be easily adjusted with touchscreen operations while users visually check exposure and the degree of bokeh on the screen. The monitor has a high level of clear visibility thanks to its maximum luminous intensity of approximately 1,000 candelas, double the brightness of the previous model's*** monitor, displaying the subject clearly even on a bright sunny day outdoors. The monitor has a “vari-angle” structure that allows users to adjust the monitor to any angles, facilitating photo shooting from low and high angles. It can also be flipped for easy “self portraits” in conjunction with the Face / Eye AF. The use of the easy-to-hold grip design ensures that the camera sits comfortably in one's hand. It remains stable even when mounted with a large telephoto zoom lens for photo shooting. (3) Featuring shooting functions that enable versatile color tones and artistic expressions The X-T200 offers 11 variations of Fujifilm's unique Film Simulation Modes including Velvia and PROVIA, making it possible to choose from different color tones and expressions according to the subject or scene as if users are opting to use different photographic film. “Clarity Filter” has been added to bring the total number of Advanced Filters to 20, adding advanced artistic flair to images to expand the scope of one's photographic expressions. The X-T200 has a built-in pop-up flash, integrally designed into the viewfinder section. The camera automatically controls light output according to each scene and distance to the subject, so as to prevent highlight clipping for a natural presentation of the subject in flash photography. (4) Enhanced video recording functions including full-scale 4K video The X-T200 reads data from all the pixels on the sensor and uses the ample information equivalent to 6K to produce 4K video, resulting in low-noise and premium-quality footage. The camera records smooth 4K video at 30fps, or even smoother video at 60fps in the Full-HD and HD video modes. The camera's HDR movie mode controls highlight and shadow clipping even in situations with significant contrast in light levels for enriched tonality. Full-HD video can be recorded at the rate of 120fps, providing smooth video even in slow-motion replay of a fast moving subject. It will be the first Fujifilm digital camera to feature the Digital Gimbal Mode. It uses gyro sensors to accurately detect even the slightest of vibrations to control camera shakes during video recording. The “Cut & Edit” function has been newly added to trim recorded video. This shortens the duration of video replay and reduces data size, making it easier to post video on social media or share it with family and friends. (5) Expanding the joy of photography with the interchangeable lens to be released at the same time The “FUJINON Lens XC35mmF2,” to be released at the same time as the X-T200, is a compact standard lens with the maximum aperture of F2.0 and the focal length of 35mm, weighing just 130g and measuring 46.5mm. Its fast and silent AF capability, and its exceptional portability allow the users to enjoy a light-footed shooting style.

Links fixed! Sorry for that... Andreas

Phase One today introduces Capture One 20, a new version of its image editing software. According to the manufacturer, the feedback of the users played the most important role in the further development. The improvements include… new and improved editing tools, Workflow simplifications with a great effect and support for more cameras As with previous versions, Capture One 20 can be purchased both as a perpetual license or as subscription software. The unlimited full version costs 349 €, the subscription starts at 18 € per month. Upgrades from previous versions start at 169 €. Capture One 20 for Sony and Capture One 20 Fujifilm, which only support the RAW files of the respective camera manufacturers, cost 149 € as full version, or 9 € as subscription. » Capture One 20 in the Online Store » Download trial version New features in Capture One 20 The most important improvements compared to the previous version are... a new basic color editor, with which colors can be easily selected and edited within the image. a revised HDR tool, an easy-to-use tool for cropping images Improved noise reduction The improvements in detail: New Basic Color Editor The palette for color editing has been completely reworked, among others: There are now eight instead of six color ranges that can be edited individually The changes in this palette can now be applied to layers. The functions can be applied directly in the image via "Click & Drag": Clicking marks a certain color, by dragging in different directions, e.g. hue, saturation and brightness are changed Enhanced HDR tool Two additional sliders for black and white allow even finer processing of the image contrast. For even more precise control, you can still use gradation curves. Improved noise reduction The noise reduction process has been revised to better preserve colors, details and patterns. The effect of the sliders is now more visible in the image. Improved cropping of images Image trimming is much easier with Capture One 20 and is oriented to other programs: Grabs at the edges of the crop area. Centred cropping with ALT key Shift key preserves the aspect ratio Free image rotation by Cmd/Ctrl key or by moving the cursor out of the crop area Noise reduction HDR Tool Crop Tool Color Editing Capture One 20 Workflow Improvement The tool area on the left side of the screen is now divided into two areas, one of which is fixed at the top and the other freely scrollable. Palettes can be moved from one to the other area depending on your preferences in order to optimize the personal workflow. Another detail that will be helpful when processing image batches: Capture One 20 can be configured to move to the next image after marking images. It is now possible to apply processing layers from one image to others without replacing existing layers. Finally new cameras are now supported, for example: Leica V-LUX 5 Olympus E-M5 III Canon EOS M6 II Lumix S1H Nikon Z50 Generic GoPro RAW support Here is a full list with all Capture One 20 changes and improvements. » Capture One 20 Online Store » Download test version

Sorry, should work now. Otherwise use this link: https://captureone.sjv.io/c/230393/551650/8798 Regards Andreas

Save 30% On Capture One All Products! Until December 1st Phase One offers 30% on all Capture One Software Packages! In these products the Capture 20 update (coming soon) is included: Capture One Pro 12, perpetual Capture One Pro 12 perpetual + 3 Styles Capture One Pro 12 perpetual + 6 Styles Capture One Pro Fujifilm 12 perpetual Capture One Pro Fujifilm 12 perpetual + 3 Styles Capture One Pro Fujifilm 12 perpetual + 6 Styles » Save 30% on all Capture One Software Packages!

Capture One will make a big leap in the near future – at last the version number Capture One 20 will come soon and you can have two big saves! If you order Capture One 12 until October 31st… You'll get the Capture One 20 Update for free and You'll save 10% on your purchase! The offer is valid for all perpetual licenses, including the Fuji Edition und style bundles! Simply use the Coupon Code OCT-AF-ZEP during the order process 10% rebate are deducted automatically Upgrade is in your cart – for free » Get Capture One 12 incl. free Capture One 20 upgrade with 10% rebate Update: Offer is expired - sorry!

Hi Alice, welcome to the Fuji X Forum! Maybe you are member of another Fuji X Forum too? If there are any Andreas

Now there is - sorry, my fault!

Version 12.0.3 was released yesterday. Perhaps give it a try... Your bug isn't mentioned, but perhaps...

If you are interested in Capture One for Fujifilm you should grab it until March 31st!. Until Sunday Capture offers 50% off! » Capture One Shop

Works now! Fuji X Forum https://www.cleverbridge.com/105/purl-silkypix-developer-studio-8-pro-fxc Fuji Rumors https://www.cleverbridge.com/105/purl-silkypix-developer-studio-8-pro-fur Sorry for the delay... Andreas

Sorry for that. Will check with the distributor.

You only must look carefully... Sorry ...

Thanks for that - is corrected! Was a test if you read carefully 😇

Phase One has introduced version 12 of its RAW Converter Capture One – including Fuji film simulations! You can save 10% on all versions and upgrades via the coupon code AMBFXC Phase One of course offers again a special version for Fuji photographers. The most important improvements at a glance: Powerful, refined interface and revamped menu system Luminosity masking, linear and radial gradient mask New plug-in ecosystem Fujifilm film simulation support Extended AppleScript support New camera and lens support Now the Fujifilm GFX 50R is supported too! New features and tools in Capture One 12 Powerful, refined interface Capture One 12 introduces a newly re-designed, contemporary interface, designed to make Capture One easier to use during long editing sessions and to make discovery, experimentation, and customizability easier than ever. New iconography better conveys tool functionality, and the new slider design, the spacing of the tools, and font size increase improves both the look and the usability of the program. The result is a new environment that feels more welcoming for new users while being more customizable for power-users. Revamped menu system Every menu item in Capture One 12 has been evaluated, categorized, and organized according to its logical function and grouped along with associated tasks, which makes it easier to find the desired controls and settings, and brings the Mac and Windows menu options into alignment. Luminosity masking One of a trio of new masking tools, Luma Range allows users to quickly create masks based on the brightness of pixels in an image and is the most powerful luminance masking tool of its kind. This masking technique is particularly powerful in landscapes and high-key portraits, as it allows for nearly-instantaneous masks in complex scenes based on brightness—eliminating the need to tediously paint complex masks. Once a luminance range is created and adjusted using the precision mask-adjustment tools, nearly any editing tool can be applied to the mask. The masks created with the Luma Range tool are dynamic and can easily be tweaked and modified at any point in the workflow. Unlike a hand-drawn mask, Luma Range adjustments can be applied from one image to another, and the effect will be based on the luminance of each image. This functionality is a huge time- saver as it eliminates the need to create precision masks for each frame in a shoot. The new Luma Range selection masks open up an incredible range of editing possibilities, from selective noise reduction to precise color grading. Linear Gradient Mask Capture One 12 takes gradient masks to the next level, allowing for editable, moveable, rotatable—and best of all—asymmetric gradient masks. Using a brand- new Parametric Masking Engine, Capture One allows for adjustments in the size, shape, and symmetry of the masks with simple mouse clicks and key presses, truly redefining the possibilities of linear gradients in Capture One. Rotate, feather and adjust a mask with a precision never before possible. Radial Gradient Mask The new Radial Gradient mask tool enables quick, flexible radial masks, useful for vignette and other adjustments with a desired falloff effect. Using the same Parametric Masking Engine as the Linear Gradient mask tool, radial masks can be adjusted, rotated and moved after creation for extreme control over desired effects. Redesigned Keyboard Shortcut manager Capture One is known for its ability to custom-assign and custom-configure virtually every task to a keyboard shortcut. With more than 500 individually- assignable and customizable commands, it’s essential to be able to find the exact shortcut, without having to hunt through hundreds of choices. Users can now search by the specific menu command, or by the assigned keyboard shortcut, making it easy to find and manage shortcuts. To unify the interface between the Mac and Windows versions the new menu system has been moved to the same location on both platforms, making it easier for workgroups to stay in sync. New plug-in ecosystem To address the needs of photographers and creatives looking to share, edit and collaborate on their images, the new Capture One plug-in ecosystem will allow for powerful third-party extensions. The new Capture One SDK will allow any developer to create custom solutions to expand Capture One, and to transform Capture One into an open ecosystem. Users of Capture One will be able to extend the platform with the upcoming addition of plug-ins that allow for sharing, editing, and that can connect Capture One to a variety of specialized editing tools. For developers, the Capture One Plugin SDK—available as a free download—will provide access to the broad base of passionate professional and enthusiast photographers that use Capture One. Developers are now able to create solutions that leverage the image-editing and organizational prowess of Capture One, and the added capabilities of third-party resources. The initial Capture One Plugin SDK allows for plugin development, and can be leveraged for common tasks like sharing, sending files to external editors, and allowing images to be opened in other applications, and more. Fujifilm Film Simulation support Fujifilm X-Series and GFX-series cameras feature Film Simulations, which are in- camera tonal adjustments that faithfully reproduce the color and tonality of classic Fujifilm photographic films. Sixteen Film Simulations are available, ranging from color stocks like Provia and Velvia to black and white film like Acros. These simulations give Fujifilm users the ability to digitally capture images with the feel of beloved photographic films. Thanks to the collaboration between Capture One and Fujifilm, photographer’s using Fujifilm’s renowned X-Series and GFX-series cameras will be able to edit photos complete with Fujifilm Film Simulations. These in-camera settings have been faithfully reproduced in Capture One, to provide an identical experience when working with files, resulting in images that appear the same as if the Film Simulation picture profiles were applied in-camera. Extended AppleScript support Users of Capture One on Mac OS can take advantage of extended AppleScript support for automation and workflow streamlining. More than a dozen of Capture One 12’s areas and properties can now be directly modified with AppleScript, adding to the existing, robust AppleScript support in previous versions of Capture One. New camera and lens support Capture One provides users with the most accurate and powerful image editing available, and the wide-ranging support of cameras and lenses is a hallmark of the software. For enthusiasts and professionals alike, Capture One continually evolves to handle the newest cameras and lenses. Phase One carefully evaluates and interprets each camera’s RAW formats, allowing Capture One to present images with the utmost fidelity, often bringing out nuances that other programs can’t even perceive. In addition to the RAW support for more than 500 cameras, Capture One also provides profiling and image correction support for more than 500 lenses. Like with the RAW file interpretation, Phase One carefully measures the optical characteristics of each supported lens and builds correction algorithms that compensate for the various optical imperfections of various designs. As a result, Capture One can correct for numerous common optical issues such as vignette, and chromatic aberration as needed for each of the supported lenses. New camera support: • Nikon Z7 • Nikon Z6 • Canon EOS R • Canon EOS M50 For a complete list of supported cameras, please go to: www.phaseone.com/supported-cameras » Capture One via Phase One Online Store (Gutscheincode AMBFXC)

You are so right... Please vote again in our new survey!

Time to start a new count with all cameras... Our old survey from 2016 missed some cameras. So again: Time to stand up and be counted! We're curious which cameras our members use for shooting... As we all have GAS (Gear Acquisition Syndrome) multiple choice (= multiple cameras) is available Please vote above and comment below!

1. Supports “35mm Format Mode” when using GF Lens and H mount adapter “35mm Format Mode” crops the center of the sensor 36.0mm x 24.0mm (30.5M) and records JPEG and RAW file. 2. Improved eye-sensor response Reduced the time to switch between EVF and LCD when you select “eye-sensor” on the viewfinder display settings. 3. Supports simultaneous delete for RAW and JPEG files When RAW / JPEG is selected in the card slot setting (for still image), RAW/JPEG image can be deleted simultaneously. By selecting “OFF”, only the RAW image will be deleted. 4. Supports EVF and LCD color adjustment Color of EVF/LCD is adjustable from screen setting menu.

1. 4K HDR video recording in Hybrid Log Gamma (HLG) Supports 4K HDR video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards *. It allows the capture of rich and realistic images in a scene where there is a huge gap between highlight and shadow, or subjects with high color saturation. * Only compatible with H.265(HEVC). Please enjoy with television or display compatible with HLG formats. 2. Simultaneous output of Film Simulation and F-Log footage ** Supports simultaneous output of Film Simulation and F-Log footage. It allows you to record in F-Log while checking Film Simulation image on an external monitor. ** Not compatible with 59.94P/50P, FHD high speed rec., 4K interframe NR, and HDMI output info display mode. Also, cannot choose different image size (4K/FHD) for HDMI output and internal SD card recording. 3. Recording over 4GB movie file as one file Movie files are no longer split when the file reaches 4GB file size. The file is recorded as one file providing an SD memory card greater than 32GB is used (excludes 32GB) ***. *** By using SD memory cards less than or equal to 32GB, movie recording will continue without interruption when the file size reaches 4GB, however subsequent footage will be recorded to a separate file. 4. Display color temperature (Kelvin) on EVF/LCD Color temperature (Kelvin) can be displayed on EVF/LCD. 5. Supports slower shutter speeds with DCI4K/4K 29.97P/25P/24P/23.98P *4 Slower shutter speeds than the framerate can be selected with 4K 29.97P/25P/24P/23.98P. *4 Cannot select slower shutter speed than framerate with DCI/4K 59.94P/50P or LongGOP recording. 6. Compatible with ALL-Intra and maximum bitrate 400Mbps with H.264 Using H.264 compression, you will now to be able to select ALL-Intra at a maximum bitrate of 400Mbps. 7. Display power supply icon Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD *5 and Anker PowerCore Speed 20000 PD *6 *5Anker and PowerCore are trademark or registered trademark of Anker Innovations Limited or associated companies. *6Product may not be available on your country.

1. In-body image stabilization and optical image stabilization now work together to improve overall stability With an XF or XC optical image stabilized lens, in-body image stabilization worked with 3 axis (up and down / optical axis rotation). The remaining 2 axis (right and left pitch, yaw angle) was controlled by optical image stabilization in the lens. This firmware has a new image stabilization algorithm to allow the in-body image stabilization to work in all 5 axis and to achieve more than five-stops (up to the equivalent of 5.5 stops *7 ) image stabilization by cooperative control according to the types of frequency and blur amount. To activate this function, lenses are necessary to be updated to latest firmware version. Please check the latest firmware version from the link below. http://www.fujifilm.com/support/digital_cameras/software/fw_table.html#interchangeable_lens *7 Based on CIPA standards. When using XF10-24mmF4 R OIS, XF18-55mmF2.8-4 R LM OIS, and XC16-50mmF3.5-5.6 OIS II. XC50-230mmF4.5-6.7 OIS II *8 3.5 stops 5.0 stops *8 Not compatible with XC16-50mmF3.5-5.6 OIS and XC50-230mmF4.5-6.7 OIS. 2. Improved in-body image stabilization performance Eliminate image shake when panning slowly when movie recording or on the live view image. 3. Recording over 4GB movie file as one file Movie files are no longer split when the file reaches 4GB file size. The file is recorded as one file providing an SD memory card greater than 32GB is used (excludes 32GB) *9 . *9 By using SD memory cards less than or equal to 32GB, movie recording will continue without interruption when the file size reaches 4GB, however subsequent footage will be recorded to a separate file. 4. Display color temperature (Kelvin) on EVF/LCD Color temperature (Kelvin) can be displayed on EVF/LCD. 5. Display power supply icon Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD *10 and Anker PowerCore Speed 20000 PD *11 . *10 Anker and PowerCore are trademark or registered trademark of Anker Innovations Limited or associated companies. *11 Product may not be available on your country.

They are valid now! We approve the first post of every member to keep spammers out... Andreas

Welcome to the forum - great start!