By Antony D
I'm shooting next month. I'm recording out of camera via HDMI to a Ninja V using vintage lenses via a Metabones Speedbooster Ultra.
I've been experimenting and settled on film simulations instead of F LOG.
With the vintage lenses, I like Astia Soft, Pro Negative High. I'm leaning towards 4K DCI 24P over UHD 24P.
1. All Intra vs. Long GOP? I heard in a video All Intra was easier with computer editing? I'm using Mac and Final Cut
2. H.264 vs. H 265? - does it matter when recording to Ninja V? Differences?
3. Noise reduction off or lowest setting?
4. DCI 17:9 vs. UHD for Amazon Prime and other streaming platforms?
5. Tips for achieving slow motion shooting in 4K or UHD? Seems the camera only does HD
6. Are the film simulations outputting Rec 709?
7. Any other tips? Thanks!!!
I'm kind of getting tired of this...so please, any help would be highly appreciated!
I bought lots of Minolta MD lenses, including the quite expensive 50mm f1.2, but I want to use them on my X-Pro1 with at least some ''medium-to high'' quality focal reducer. As I live in Slovenia, the choices are pretty poor (read: none) and I really have no desire in buying the (imo) overpriced Metabones speedbooster, or the ultra version, so I was stuck with trying the cheap generic f.r. which showed lots of corner softness, regardless the aperture on every single lens, and I know how they should perform since I used them before on the A7II and also tried them on my buddy's XE-1, and they performed very differently (a whole lot better). The other problem was the blue spot, then I just sold it on e-bay to get at least some amount of money back. So in general the adapter was a bad performer, even for the price.
As I know there are NO options available for Minolta MD mount besides used Zhongyi Lens Turbo I, which are so rare, I did not spot one in a month or so. Other two options being Metabones or Generic which I'm not interested in.
Then I came into a conclusion that I can use a focal reducer of a mount with a shorter flange distance than the MD and just buy a thin adapter, and also benefit with having the option to adapt almost all other mounts. But here's the thing…
I would LOVE to buy the Lens Turbo II in MD mount as it corrects most quirks of the first model, but guess what? No love for Minolta anymore! It does not exist. And all models have a bigger flange.
Then I spotted a series of Kipon Baveyes 0.7x focal reducer for Fuji X (which is of very good quality optics, and not that expensive! A little over 200€ which I have no problem paying for.) with a whole range of mounts to choose from: ALPA, EOS, NIK, M42, L/R, C/Y, NG, OM… but no MD mount of course!!! Then I checked each of their flange distances online and found out only the ALPA mount, which I did not even hear of before, being pretty rare, has a lot shorter flange than MD. But of course there are no adapters/rings available for MD - ALPA.
I'm looking for a quality focal reducer but I'm starting to give up…and thinking of buying the Metabones, and spend a whole lot of money on that, just to get my work flow going again, since I made a switch from Sony A7II to Fuji X-Pro1 I did not regret a single thing except for my huge collection of fullframe MD lenses not being that much useful for art work, because of the crop factor.
Please guys, any ideas?