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    • The X-mount on most Fuji camera models is not particularly robust in my experience. Only the ones on the X-H1 and the GFX are better. Part of the issue is the quite shallow electronic contacts. Esp. with heavier lenses. The 50-140 on an X-Pro2 gave me constant issues until I got the X-H1 (according to Fuji 25% enforced mount) and never experienced problems with the same 50-140 again. Just a little bump may throw-off the contact between lens and camera, resulting in the "turn off-on" message or the infamous "f0" message. You also may want to check whether there is some lateral or rotational tolerance between the 10-24 and the X-T4. I had to swap two times a Fuji lens: one 16-55 with a misaligned mount and one 16/1.4 with too much tolerance when mounted. Something you wouldn't expect with a premium brand...
    • There are rumors about a new Fuji 18mm (=27mm FF equiv.). It is supposed to be f1.4 according these rumors, but I would love an update of the 18/f2. At f1.4 will be between the 23/f1.4 and 16/f1.4 in size and that's too big to my liking for my X-Pro2. Either way, I hope it will be significantly better than the 23/f2 or the 16/f2.8. More at the level of the 35/f2...
    • Hello everyone! I am looking for the best solution for my specific scenario/ needs. Currently I shoot with a Canon EOS M50 and have the FF-equivalent lenses for 18-35mm, 35mm, 50mm. Everything is fine and dandy with the kit, but I wish I could get just nice Jpegs out of this thing. Before I switched carreers I was a professional photographer, doing portraiture and documentary style weddings etc. Always been a FF Canon shooter. But, I was also an X-Pro1 early adopter! What pulled me in was the look and feeld of the camera (so nostalgic, "retro") but also the SOOC Jpegs. I wanted this camera to be the hassle free, pure photography camera to take everywhere and have a finished "product" after pressing th shutter button. Well, the camera was nice but lacking in many aspects, especially in speed and AF. I purchased the M50 with the 22mm F2 lens as a pocket snapshooter, added the 11-22 for wideangle work and sold my FF kit. Bought the 32mm F1.4 when it came out and like the kit a lot. It is small, lightweight and the picture quality and AF is absolutely enough for my use today. I'm a casual shooter, mainly photographing the family and outings with friends and whatever els snapshots I take. Now the thing is, the M50 takes just OK SOOC Jpegs, but nothing really worthwhile. I've tested custom picture stiles and the likes but was never satisfied with the outcome. And honestly, I don't want to work on RAWs anymore. I'm just tired of it. I want the same approach that I have when shooting film... finished product. I accept that I cannot change a whole lot with my scanned negative, but I am happy with it, because I like the tonality, the color and the imperfections. They fit together nicely and feel "real" in a sense. In the digital world I think that Fuji Jpegs come closes to what I need, so the picture quality is already there. Now I see Fuji has brought a whole bunch of new and improved cameras to the market and I am looking for something that will be the end-all be-all camera. My Requirements: Newest Sensor and Processor with Color Chrome effect Classic Neg and Acros film sim Fixed or exchangeable lens, preferably 28mm FF equiv. or around 28-45mm Bonus: Set specific Shutter Speed for Auto-ISO (Canon has a fixed threshold of 2x focal length for shutter speed, so with my 32mm lens will keep the shutter speed at or above 1/60th second which may be too slow sometimes) That's it. I don't care about APS-C, FF or MF - as long as it delivers great photos and is easy to setup and use. I was looking at the X100V as it is the easiest to grasp as a concept. The other series are so convoluted that I am honestly having a difficult time finding out which one is still a current camera or already discontinued etc.  
    • Thanks! I had deleted the images the first way but they kept coming back. I must admit to being old enough that I didn't see or recognize the teeny tiny trashcans though.
    • Well, I absolutely loved this camera until I tried to shoot tethered.  This was an absolute disappointment to me, as I am a pro, and wanted the camera to be my walk about, and my back up in the studio, and on location. Well it looks like only the first part of that plan is going to happen. Not being able to shoot tethered is such an unnecessary crippling of an otherwise wonderful instrument.  If I had known about this limitation, I doubt I would have bought it, I probably would have gotten an XT4 and used my existing XT2 as the back up. So, Fuji kind of screwed themselves out of $800 in camera sales, and screwed me out of a new studio cam.
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