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Found 20 results

  1. Hello Fuji users, i have to buy a new tripod for my X-E1 (actually have a Manfrotto Compact Light) with 18-55 lens. I read very good feedbacks about Genesis tripods. Plus they have great price with high quality! Anyone use them and can recommand them? My choice is the A3 kit that have BH--34 ball head, the attachment is Arca-swiss type. Budget around 100-150 Euros.
  2. I’ve been using Fuji since they introduced the X-E1. Over the years since I have had a number of Fuji bodies and lenses but have settled on an X-T2 and an X-E2s with various prime lenses. I have always found Fuji to be a great system to work with and have earned much of my income from their products. The lineage of each model seemed logical and each new version made progressive improvements such as improved AF or resolution for example. You can tell that the X-E2s is progression from the original X-E1 with nicely thought out additions or upgrades. The X-T2 is such a nice camera and certainly a step up from the X-T1. So far, so good. In my mind at least the line up worked something like X-A cameras for amateurs, casual shooters, etc. The X-T10/20 for the more trendy photographer, someone who liked innovation such as touch screens and blue tooth and the cute look of the camera. The X-E cameras for the expert photographer, the person who liked the rangefinder styling and the smaller size for travelling and discrete photography, a street photographers camera perhaps. the X-T range for the more demanding photographer, someone who wanted a more professional kind of camera in a DSLR style and the X-Pro for the same kind of photographer who preferred a rangefinder kind of camera. I’m probably wildly wrong here but at least it’s a stab at my understanding the lineage of the various Fuji offerings. Then came the X-E3 and messed it all up for me. Here was a camera that looked like an X-E camera but seemed more at home in a X-T20s? In the lineage, instead of a progression, someone seems to have left the logical path and gone off track with this camera. In my mind at least, the X-E3 should have been an upgrade from the X-E2s. Perhaps a X-E2s with the X-T2 sensor and AF but with the XT-20 flippy screen and IBIS. I can see how introducing bluetooth connectivity with a tablet and touch screens would appeal to an X-T20 user perhaps but where is the camera for the X-E1, X-E2 and X-E2s user? I’m trying desperately hard to find the good in the X-E3 and I will try one out but it simply does not appeal to me right now. I feel that Fuji have spoilt a good thing by letting someone introduce trendy features onto something that was historically more traditional. It would be a shame if Fuji lost their vision after all the success they have had to date.
  3. Hi I was wondering if anyone one could tell me what the A+M setting in the Shooting Menu does? It gives the options of AF+MF on or off. It is found at the bottom of the Shooting Menus in group 5. I am using a X-E1 and 16-50mm f/3.5-5.6 OIS lens. Many thanks Ted McKee
  4. Hi! A little bird has told me that my wife is buying the M42 adapter and this lens for Christmas. Can anyone give me your thoughts, experiences, suggestions, etc. regarding this combo? Bokeh, sharpness, IQ... Thank you all in advance for your input, ~FB
  5. Taken with Fuji X-E1 and Helios 44-2. Spiders were taken with macro tubes attached to Helios lens.
  6. When my X-E1, with the XC 50-230 attached, finds a focus point, it is pretty quick. However, when it cannot find anything to focus on, then it takes an eternity before the lens has traveled the whole focusing range (and the red rectangle appears). I so understand that the X-E1 only uses CDAF focusing, while the X-E2 uses PDAF, which will be more reliable in low contrast situations. However, does the X-E2 (or X-T10) also get quicker to the conclusion that it cannot find a focus point? Or is the time that takes just a property of the lens? Anyone who tried the XC 50-230 on both the X-E1 and the X-E2 (or X-T10)? Thanks!
  7. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  8. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  9. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  10. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  11. Hello everyone, First time poster, long time reader. I use the EVF on my x-e1 90% of the time and all of a sudden, without a warning, the evf just dies. I can toggle through the (evf - eye sensor - lcd) modes, but when I get to the EVF part of it, I just get a blank EVF. Does anyone know if this can be fixed without it being sent in for repairs? A setting I may have overlooked? Perhaps a magical re-boot sequence? A secret hand shake? What ever. I'll try anything. ***ALMOST anything for you wise guys out there!*** Thanks for any info.
  12. gdugic

    Animals

    Resting after play by gdugic, on Fliiby
  13. Hi I have just bought a second but near mint x-e1 which I have paired with vintage lens. I am using a canon fd 50mm, and a Takumar 55mm and have found the images to be soft. I have also used a 35mm Fujian and the images are sharper. I think I am using the camera wrong. I have updated to the latest firmware and can see the focus peaking. In the evf the image is sharp but when I half press the shutter release the image seems to get softer and I refocus, I also use the ring button to magnify the subject and refocus but I am getting soft images. Is this the property of the lens I have? or the as I suspect the way I am using the x-system. Your guidance would be much appreciated. Many thanks.
  14. Is there any way I can tune X-T1 for Jpeg to get similar results like X-E1 Astia has ? Looks like X-T1 cuts shadow area more agresively, and overall skin tone gradients look less smooth. Anyone has experience with that?
  15. I've mostly been a dedicated Architectural/Real Estate Photographer for a couple of years now, but as I have been since 2011, I am still the official photographer for TEDxDirigo here in Maine. The last TEDx event I shot I was still using a full on Nikon kit and this weekend was the first workout that I've really had with just my Fujis. https://www.flickr.com/photos/treehouseinstitute/sets/72157660955782332/ I'm very happy over all. I used the older X-E1 with the 35/1.4 or 10-24/4 and played with the 56/1.2 for shots in the crowd. Most of the speakers images were made with the X-T1 and the 55-200/3.5-4.8. The wider stage shots were made with the 10-24/4 on the X-E1 and they aren't quite up to the same low light standards of the newer X-T1 of course. As it doesn't look like an X-E3 with a flip LCD is forthcoming anytime soon and as I found the 55-200 too long (at the wide end) for this venue but essential to get in tighter, I may end up getting an X-E2 (I really prefer this form of a camera even to my X-T1) and pick up the more convenient 18-135/3.5-5.6. Most of the time I am shooting between f/5.6 and f/8 for stage work of this sort of event so I don't NEED fast glass in a zoom and 135mm is long enough for most any stage work I've ever done but would also allow me to go wider when I need to quickly, without changing bodies. Getting the 18-135 would likely make the 55-200 redundant (and the 18-135 is weather sealed.) I may be able to pay for the new lens with the older one.
  16. gdugic

    2 casual portraits

    2 casual portraits, both with light coming from window plus pop-up flash bounced off the ceiling.
  17. Taken in the Valle de los Ingenios, or "Sugar Mill Valley" in Cuba about a week ago. Fuji X-E1, Kolari Vision 650nm Conversion, 10-24mm Fuji Lens
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