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Showing results for tags 'premiere pro'.
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Greetings, Fuji friends! I'm having a conundrum. I have a slew of footage from an X-T3 I'm assembling in Premiere Pro. Footage specs: - 30 and 60 fps 4K -10 bit (internal) 8:2:0 -H265 -HEVC -All shot in F-log All of the unedited shots look great (for F-log, that is) in iMovie and QuickTime. When I ingest them into Premiere Pro, however, there's a bizarre pixelated swath of green and pink in the lowlights. No amount of color correction can solve it, and Davinci Resolve is no better. I have tried changing sequence settings, converting to Pro Res, and attempted many different encoding formats in Media Encoder with limited to no success. Has anyone ever faced this issue? Adobe support is stumped. Any assistance you can provide is greatly appreciated. Thanks so much! -
Hello everybody, I'm not a professional in the camera world so I'm sorry in advance if I ask a stupid question but I didn't find an answer to it online. So I tried to shoot video in F-log the first time in my short life and my plan was to apply Etarna Lut on footage in Premier Pro after. I wanted to get the best of two worlds, dynamic range from F-log and the beautiful colors of Eterna. I expected it to be as easy as using camera presets in Lightroom but I didn't find Fuji Luts in Premier Pro. There were Adobes Luts. I also downloaded a file with Luts for my camera (xs-10) from the Fuji web page but there were 4 Luts. One Eterna bleach by pass and 3 others were ugly as hell. Maybe I'm missing something. If somebody knows how to use Fuji Luts in Premier Pro please share your knowledge
