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Found 38 results

  1. cross-posted: just upgraded to fw4 yesterday morning. though a couple of things seemed odd(see below, #2 & #3) it worked fine for ~100 shots, then last night, out of the blue, it started acting up. tried to upgrade firmware again, used different cards & batteries but no luck. symptoms: 1. it doesn't record to memory card, i.e. i take the picture, the orange light stays lit (or before the second firmware upgrade try, it would light up green&orange intermittently - now it is a steady orange), if locks up the rear screen so that it stays on&shows whatever's in front of lens (i.e. as though i am composing to take a pic, but it won't come out of this mode - play button is useless, any other button is useless). camera doesn't turn off until i remove battery. when i restart, no image is recorded onto the card. 2. since the first upgrade, all icons in q menu only show iso, i can't modify them(it was this way immediately after upgrade, but i was still able to take pictures for about 100 frames; it is still this way)? 3. on the right bottom of rear screen, right above iso gauge, there is a darker, semi-translucent rectangle that is blank - it looks as though an indicator should be there but isn't (this also has been this way since first upgrade attempt, but it was working until last night). i put a shot of the back screen with this in the link below, as well as in the attachment to this post: anyone else have this issue? any pointers as to what could be wrong would be much appreciated. thanks! https://www.dropbox....G_0552.jpg?dl=0
  2. I’ve been using Fuji since they introduced the X-E1. Over the years since I have had a number of Fuji bodies and lenses but have settled on an X-T2 and an X-E2s with various prime lenses. I have always found Fuji to be a great system to work with and have earned much of my income from their products. The lineage of each model seemed logical and each new version made progressive improvements such as improved AF or resolution for example. You can tell that the X-E2s is progression from the original X-E1 with nicely thought out additions or upgrades. The X-T2 is such a nice camera and certainly a step up from the X-T1. So far, so good. In my mind at least the line up worked something like X-A cameras for amateurs, casual shooters, etc. The X-T10/20 for the more trendy photographer, someone who liked innovation such as touch screens and blue tooth and the cute look of the camera. The X-E cameras for the expert photographer, the person who liked the rangefinder styling and the smaller size for travelling and discrete photography, a street photographers camera perhaps. the X-T range for the more demanding photographer, someone who wanted a more professional kind of camera in a DSLR style and the X-Pro for the same kind of photographer who preferred a rangefinder kind of camera. I’m probably wildly wrong here but at least it’s a stab at my understanding the lineage of the various Fuji offerings. Then came the X-E3 and messed it all up for me. Here was a camera that looked like an X-E camera but seemed more at home in a X-T20s? In the lineage, instead of a progression, someone seems to have left the logical path and gone off track with this camera. In my mind at least, the X-E3 should have been an upgrade from the X-E2s. Perhaps a X-E2s with the X-T2 sensor and AF but with the XT-20 flippy screen and IBIS. I can see how introducing bluetooth connectivity with a tablet and touch screens would appeal to an X-T20 user perhaps but where is the camera for the X-E1, X-E2 and X-E2s user? I’m trying desperately hard to find the good in the X-E3 and I will try one out but it simply does not appeal to me right now. I feel that Fuji have spoilt a good thing by letting someone introduce trendy features onto something that was historically more traditional. It would be a shame if Fuji lost their vision after all the success they have had to date.
  3. Dear fellow X-E lovers, with our hopes high that Fuji is actually working on an X-E3 now, I've been thinking a lot about what I would want the X-E3 to be like and for which features I am actually willing (and able) to pay. Since I've read all sorts of things about what people want ranging from "as cheap as possible" to "make it an X-T2 in rangefinder format" I decided to make a poll to collect all those opinions in a meaningful way. I am hoping that many people here (and from FR) participate so that I can generate some interesting statistics from the data. Patrick has done some polls but without a bit of background information I believe the value of those polls is quite low (sorry, Patrick ;-) So, here's the link if you want to participate (it shouldn't take long): https://goo.gl/forms/LixLzXFAzOH6SwYx1 » Poll is now closed! I am planning to leave it open for about a week and then do an analysis which I will of course publish here in the forum or maybe as a guest post on FR. If you have any comments feel free to drop them here. Thank you!
  4. Zhongyi Speedmaster 35mm f0.95 version II released in Feb 2016, so there are almost no reviews online on this new interesting lens I've decided to try it, and ordered one sample directly from Hong Kong, attracted by 9% discounted price. It arrived yesterday, so posting some shots and first impressions. Feel free to ask questions if any. Out of the box (taken with ZSM 35mm on 0.95 + X-E2) Sample on F2.8 Sample on F0.95 Look on X-E2
  5. Hi everyone. I made a visit to the United Kingdom in April, 2015. The trip lasted 14 days. Photos taken with X-E2 and 18-55mm lens, processed with LR 6. This " kit " lens is a great work-around gem ! Re-evaluate all the photos recently, I found a lot of room for improvement. Picked some photos and share on Flickr. Thanks for watching! . *** Edinburgh *** Edinburgh by Jack Lee, 於 Flickr Edinburgh by Jack Lee, 於 Flickr Edinburgh by Jack Lee, 於 Flickr Edinburgh by Jack Lee, 於 Flickr **** York ****** York by Ja ck Lee, 於 Flickr York by Jack L ee, 於 Flickr York by Jack Lee, 於 Flickr
  6. A few months ago I asked the sales rep at my local camera store if I could use other lenses on my Fuji and he practically laughed at me, saying "Fuji is known for their glass, why would you put any other lens on your camera." Since then, I have shyed away from this topic, but now I'd like to hear what others have to say. Is it a 'sin' to put a non-fuji lens on our cameras?
  7. It had started with glances and wonderings at the new and alluring X-Pro1. What man hasn’t stolen a quick look at an attractive new model from time to time … just so long as the camera in your life doesn’t notice (she almost always does)! Then one fateful day a lovely, sleek and attractive X-E1 with a sexy 35/1.4 came into my life. The old DSLR was abandoned without ceremony or regret, my head had been turned, I was now a Fuji man, no doubt! Soon the X-E1 and 35/1.4 became part of a harem, lenses, bodies and flashes were added. A smorgasbord of Fuji! There were X-E2s, an X-T1, X-Pro2s and an X-T2 and a positive orgy of lenses! That brief stolen glance had become a life style, a way of thinking and seeing, an obsession! A 23mm, a 56mm, a 90mm, a 16mm all soon made a home for themselves. Life with a whole heap of Fuji was a ball. A party where there was nothing off limit. As soon as something new came out, I had to have it, but there was also a feeling of dullness, a loss of vision. Was I just becoming a camera collector? Sure I was making a living out of it but was the focus the equipment or the making of pictures? Sure professionals need the right equipment but when I thought back to early days when a Hasselblad with 50mm, 80mm and 150mm lenses and an M6 with 24mm, 35mm and 90mm lenses sufficed, what was I doing? I began to feel cluttered and confused, what was going on? There was simply too much stuff. I needed to rediscover my first love. So they all had to go, the party was over. I needed to clear my head and get a fresh perspective. I’ll be faithful to my X-E2 and just keep f2.0 lenses, yes that’s it, that’s what I’m going to do. I’ll relive those heady romantic days when I wandered freely with a single Fuji in my hands and a few lenses in my bag. I felt so free, so light, so happy. Less is more, embrace the simple life. Then Fuji revealed a bigger model, what was this? The curvy GFX with it’s voluptuous body was in the spot light. She was alluring, promises of performance beyond anything yet experienced but she wasn’t a cheap date! Could I… should I? No, she’s not for me. I can’t afford the cost of allowing her into my life. Does the journey end here? Has Fuji gone in a direction I don’t want to follow? What about all those lovely new optics? What should I do? Oh, no! Then there was mention of an X-E3, would she have a tilt-able (or even an articulated) rear screen? Could there be IBIS? What would she look like, how would she perform … might there also be a 70/2? Oh, no - not this again! Here we go, my name is Chris and I am a cameraholic! For goodness sake, K.I.S.S. make pictures and not camera collections! I’ve stripped down my Fuji stable to the bare basics, just what I actually need and no more. It’s going to be a couple of X-E bodies and a few f2 lenses and nothing more…
  8. My current thoughts on continuing to use Fuji. I have been using various Fuji cameras for a number of years professionally, however I have reached something of an impasse. The chief issue I have is the lack of in body image stabilisation (IBIS). I am a great fan of Fuji cameras (with the exception of the X-pro series which I have tested extensively but decided that the X-T1 and X-E2 suit me better). I love their lenses, particularly the primes (I have an extensive set of both zooms and primes) but I cannot understand why if they won’t stabilise the prime lenses they don’t have at least one body with IBIS? The argument that IBIS may result in a slight deterioration in edge image quality has been put forward by Fuji and I can see the point they make, however, if the whole shot is ruined because of camera shake nothing is gained. Those seeking ultimate quality can always switch off IBIS after-all. The 90mm is a prime candidate for inducing camera shake in my experience. When shooting in good light levels this is no problem but when using available light such as photographing a play or for candid work in the evening the problem becomes real. My solution is to use higher ISO to allow higher shutter speeds, but this has resulted in noisier images than I like or want to accept. The Fuji zoom lenses have image stabilisation but this is of no comfort to those who need the extra speed a faster prime lens allows. 2.8 zooms whilst lovely, do not compare to lenses such as the 56/1.2 for example. Also there are those who have chosen prime lenses simply because they suit their photographic style and habits better. Traditionally fast primes are the weapon of choice for the available light photographer and to have neither IBIS or lens stabilisation in prime lenses seems to be a retrograde step. Just about everything these days seems to have stabilisation of some sort, and this is a great boon, so it baffles me why Fuji persist in depriving us of this advantage. As a professional I have the budget to access to other systems and have tried both the Sony A7 series and the Olympus Pen F and have found that they are both at an advantage because of IBIS. Granted the Micro 4/3 size sensor of the Olympus may be at a disadvantage compared to the Fuji in terms of noise, dynamic range and shallow depth of field and the Sony is handicapped with a smaller lens range, but they both excel when it comes to low light photography because of IBIS. I recently photographed a play professionally. I used both my Fuji cameras and also the Olympus Pen F and to Fuji’s shame the Olympus produced superior images. The reason for this was simply down to the Olympus’ IBIS. Each Fuji image was slightly softer than the Olympus versions. I noticed that the Olympus was just a tiny little noisier, but only when viewed at 100%. I did a similar thing at a wedding with the Sony A7SII and my Fuji cameras and again the Sony gave a sharper image. I love Fuji colours, I love their sharpness in good light, I love the size and ergonomics of the cameras, I love their prime lenses, I love the feel of a Fuji camera and lens in my hands, I love working with the images in post-production but the lack of IBIS is killing it for me. As a professional, I need to use the equipment that delivers the results that satisfy both me and my clients. Sadly I am increasingly reaching for my Sony A7 series equipment. My heart doesn’t want to do this, but I cannot sacrifice image quality for loyalty. So this is a heart felt plea to Fuji, please introduce an X series camera with IBIS before it is too late.
  9. Dear Fuji, I love my X-E2! Especially since FW 4.0 it has become a spectacular camera (save the waxy skin) and I'm so thankful for that FW update. I couldn't be happier when compared with the DSLR I was shooting before. Now give us that 23 f2 and then a 56 f2 and I'll be jumping for joy. But as much as I love the X-E2 I really hope you'll one day give us an X-E3. And I'm pretty sure I (and many others) wouldn't be able to resist upgrading from our X-E2. Here's what I think it should look like: Now let's get the basic specs out of the way and then I'll write some details about each one: - WR - No integrated space-wasting midget-flash - 24 MP X-Trans III sensor - Tilting touch screen - Large EVF from the X-T1 but with higher resolution and that nice refresh rate from the X-Pro2 - Front and rear dial as well as a combined SS / ISO dial - Focus-recompose and touch screen to select focus points (omitting the need for joystick or 4-way controller) WR I'd really like that but I can live without it. My lenses aren't WR anyway. No Integrated Flash Leave that thing out. It's so useless. Literally the only thing I do with it is popping it up and pressing it back in when I'm bored. I'm serious. Integrated flashes are weak, very limited, add potential weaknesses, cast ugly shadows and make WR more difficult. For triggering remote flashes (the only real use this thing has) rather find a way to brightly flash the focus assist lamp if that is possible. The money you save with this can go into adding a tilt and touch screen (see below). 24 MP X-Trans III Sensor Pretty obvious, right? It would be even better if you added PDAF points on the whole sensor but I guess that won't happen. Screen Tilt screens are so useful. I want one. I know some self-proclaimed purists don't want one but that's nonsense. They can simply not use it. And no, it doesn't break easily. Especially not if you don't use it. To accommodate the larger EVF (see below) you will need to make it more compact. I think you could keep it at 3" but all those huge borders around the actual screen area (like on the X-T1 / X-T10) need to go. Not a problem, others manage that as well. Touch screens are so useful. I want one. I know some self-proclaimed purists don't want one but that's nonsense. They can simply turn it off. And no, it doesn't cost much and it also doesn't drain the battery when it's turned off. It's embarrassing that so many cameras still lack one when we're in the age of the smartphone. The potential is huge but (like with the tilt screen) many fail to see that until they use a well implemented one. The main functions will be focus point selection (when shooting on a tripod) and menu navigation. EVF Yes, I want that huge X-T1 EVF. It's lovely and I want you to somehow squeeze it into the X-E3. To do that we'll need to move the screen and give up that 4-way controller which isn't needed (if you implement my suggestions for focus point selection). Add a higher resolution panel and give us that 85 fps refresh rate and we'll be extremely pleased. Please give us a diopter correction that doesn't constantly move by accident. And mark the freaking neutral position! This is UI-101! Dials Give us a combined SS & ISO dial. Not quite like in the X-Pro2 but similar. Lift-and-turn is too difficult to perform since it needs a significant change in the right hand position. Instead make it so that the button on top toggles between ISO and SS. Almost always I'll keep either SS or ISO fixed and adjust exposure with the other. So toggling the two would be perfect. The outer design (SS outside, ISO in the little window) is great. It would be even better if a deep press of the top button locked both settings so they can't accidentally be changed. I'd love front and rear control dials. Make them like the rear dial on the X-E2. Not that mushy thing you put in the X-T10. And then give us the option to change ISO and SS with them by adding a "D" (for dial) setting on the SS/ISO dial. Simple concept: - You like those labeled dials and only need full stops for ISO and SS: use the top dial. - You prefer DSLR-style dials or need 1/2 or 1/3 stops: use the front and rear dial. That way you can make all of us happy: everyone gets to use the dial they want and that ridiculous two-dials-are-needed-for-one-setting-thing has an end. When I use the front and rear dials for ISO and SS I want a press of the dial to switch between manual and auto mode. When the auto mode is selected, turning the SS dial changes the minimum shutter speed and turning the ISO dial changes the maximum ISO. Simple as that. Not a dial, but an important button: I want an AF button that works like the AF-ON buttons we are used to from DSLRs: press once for AF-S, hold for AF-C, half-pressing the shutter doesn't activate AF. Focus-point Selection We have two ways to select the focus point. Both are faster than joysticks or 4-way controllers and therefore (and since we have no space for it) we don't need either of those. Handheld shooting: focus on your subject, half-press the shutter button (extra step when using AF-button to focus) and recompose. The camera automatically selects the new AF point closest to the subject that was initially focussed on. Tripod shooting: use the touch screen to simply tap the desired focus point. In handheld shooting using the LCD you can use either method. ----- So, Fuji, these are my suggestions. I'm sure there might be some problems with this concept I haven't thought about but the general idea seems like a lovely camera to me. Here are a few additional (random) points: - Yes, it would be a step up and probably cause this camera to be priced the same or closer to the X-T2. I wouldn't care. - If the camera needs to become a few mm taller or wider to fit the large EVF that would be okay. - The exact button placement would of course need to be tested on actual prototypes, this is just guesswork. - Centered tripod mount please! - Dual card slot would be awesome. And please let us insert the cards from the side. - Adding Bluetooth for a stable remote connection with low power consumption would be great. - I'd like to have the ability to use the EC dial as a WB compensation dial when shooting in manual mode with AWB. - I forgot a Drive button in my mockup. ----- What do you think of this camera? Would you buy it? Would you rather buy this or the X-T2 with the same specs? What would you do differently? Feel free to drop a comment. If someone with more PS knowledge than me (not difficult) wants to do a proper rendering feel free to do that. Just want to tell Fuji that they should release an X-E3? Here's your chance!
  10. Hi I'm an amateur enthusiast and have been using an X-E2 with 18-55mm R LM OIS lens for just over 2 years now and love it, I'm new to the forum and unfortunately begin with a problem. I'm always wary of software/firmware upgrades and have been happily using the camera on vers, 1.0 for the last 2 years. A couple of weeks ago I took the plunge & updated the firmware to 4.01 (also updated lens firmware to 3.21). As I was upgrading from 1.0 I also took the advice to do a shooting menu reset and set-up reset straight after the upgrade as recommended. Everything seemed OK until today when I connected the camera to my laptop using USB cable to download some images. The camera froze - LCD display, on/off switch everything! The only way to get the camera working again is to disconnect from USB cable, switch off and remove/reinsert the battery. I've tried doing the resets again but the problem remains - Can anyone please help?
  11. My ef-42 flash just stopped working suddenly in the middle of a family event. The flash will turn on, the test/charge button lights up and I can hear it starting up, but it will not fire. I have used it for about a year. Is it possible that the bulb just burnt out? If so, should I send it in for repair? or just buy a new speedlite? I am looking at the nissan i40, based on recommendations online, but I have no idea really. I have the x-e2.
  12. Voigtlander Nokton Classic 40mm f1.4 S.C on Fuji X-E2
  13. When my X-E1, with the XC 50-230 attached, finds a focus point, it is pretty quick. However, when it cannot find anything to focus on, then it takes an eternity before the lens has traveled the whole focusing range (and the red rectangle appears). I so understand that the X-E1 only uses CDAF focusing, while the X-E2 uses PDAF, which will be more reliable in low contrast situations. However, does the X-E2 (or X-T10) also get quicker to the conclusion that it cannot find a focus point? Or is the time that takes just a property of the lens? Anyone who tried the XC 50-230 on both the X-E1 and the X-E2 (or X-T10)? Thanks!
  14. Hi all, I have had an X-E1 since shortly after they came out and am now looking to upgrade. I love the X-E1 but would like the advantage of the improved AF of the X-E2. Here is my dilemma. I can get a used X-E2 from a reputable dealer for about $550 (Canadian). At the same time, the X-E2s is on sale here in Canada for $750. So, given that the X-E2 with firmware appears to be nearly as good as the X-E2s, what would I be missing out on for that extra $200? If it helps any, I shoot a fairly wide variety of subject matter (street, flowers, abstract, etc.) but am really looking forward to the improved AF for more "action" shots (i.e. I have two active kids). I've read that even with the improved AF there is still an issue with action shots, but i figure it's gotta be better than the X-E1. Thanks in advance for any input.
  15. From the album: Untitled Album

    Thaxted Windmill, Essex

    © pikturlife photography

  16. Hey guys, after importing the first images to Lightroom (on a Mac running 10.11.2) after the update I noticed a weird behaviour: All RAW images are cropped to 16:9 after import. Changing the crop ratio to "Original" instead of "As Shot" fixes things. It's a small annoyance as it can quickly be fixed for all images but still it is kind of stupid. Has anyone else had that problem? The only thing I could find about it was this post on DPR: http://www.dpreview.com/forums/thread/3966021
  17. From the album: Almost Photography

    mail@simovaisanen.fi

    © © Simo Väisänen

  18. From the album: Almost Photography

    www.simovaisanen.fi

    © © Simo Väisänen

  19. From the album: Almost Photography

    www.simovaisanen.fi

    © © Simo Väisänen

  20. Hey guys, I read somewhere that the Clutch from Peak Design doesn't work well on rangefinder style cameras and I'm not sure why. Has anyone tried the clutch on your Fuji?
  21. From the album: New-York

  22. t3mujin

    Cuba

    For me has been almost two years into the X system, and in hindsight it's more obvious to me that it was one of the best decisions I've made. One of the places where that was quite obvious was last year in Cuba, when I was searching for my perspective on the island, and specially at that time I was there. A lightweight system that made the long walks in the streets under hot days, small that's discreete and it doesn't become intimidating and most of all very fun. Most of the photos from that one were shot with Fuji, despite also having a Nikon D800 (that nowadays serves mostly for landscape/nature). Read more about it: http://www.joaoalmeidaphotography.com/2016/01/mientras-tanto-en-cuba/
  23. (I know this shot/editing is ugly but I was too lazy to make it better) Hey guys it's me again with another lens comparison test. Did a different one before: http://www.fuji-x-forum.com/topic/317-135mm-lens-comparison/ This time I compared three different 18mm lenses Fuji is offering. XF 18mm f/2 (X-E2) X70's 18,5mm f/2.8 XF 18-55mm f/2.8-4 (X-E2) The shots are unedited (fine L) Jpegs (SOOC). I just cropped them and stitched them together. The settings of each camera were set to default (0) except the WB (I adjust it manually with a white peace of paper). ISO 200. Provia. Aperture priority. Cause I don't have a tripod that's so low I used a chair where I put the cameras on top so the frame can vary a bit. Sorry for that. Click on each pictures to open and maybe download on Flickr in full resolution. If you have any questions please ask. If you have any complaints about my test please be polite within your criticism. I'm not a pro so this test might be far away from being perfect. Feel free to share some shots/comparisons of your 18mm Fuji lenses. So now I hope you will enjoy my little CD collection (the second and the forth fifth of this rack are covered by a glass door) f/2 center f/2.8 center f/4 center f/5.6 center f/8 center f/11 center f/16 center f/22 center
  24. From the album: 1

    © landco

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