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Found 21 results

  1. I switched over to Fuji from Nikon a few years ago and seem to have become quite a gear collector. When I used Nikon I had a Nikon D7200 and the 24mm f1.8, 35mm f1.8, 50mm 1.8, 85mm f1.8, and 60mm f2.8D lenses. Since moving to Fuji I have managed to obtain the following: cameras: X-T3, X-T30, and recently the X100V lenses: Laowa 9mm f2.8, Fuji 10-24mm, Fuji 16mm F2, Fuji 16mm f1.4, Fuji 16-80, Fuji 18-55, Fuji 23mm f2, Fuji 27mm, Fuji 35mm f2, Mitakon 35mm, Fuji 50mm F2, Fuji 56mm, Voigtlander 58mm f1.4, Fuji 55-200, and the Fuji 90mm (still also have the Nikon 60mm f2.8D). So I love all of these lenses, but honestly have way too many to put them all to use as I should. I am wanting to move to a minimalist set up. I recently purchased the X100V and instantly fell in love with that camera. The one lens design has really helped me rediscover what I loved about photography upon first starting out. So the X100V is staying with me. So I am wanting to sell some of my excess and need some advice about what to keep. At the moment I am thinking about keeping the X-T3 with the Laowa 9mm, Fuji 16 f1.4, Fuji 56 f1.2, Fuji 90mm f2, Fuji 16-80mm, Mitakon 35mm, and Voigtlander 58mm f1.4 (just for the fun of manual focusing). My question is, does this sound like a reasonable set-up? I really want to move away from zooms (except for the 16-80 for fun).
  2. I had a blast those days is rural China, amazing sceneries and amazing people. This shot was taken with my trusty XT3 and the 18-55mm zoom.

    © Ricardo Villagran 2019

  3. Hi all, as I'm planning to travel quite a bit this year I'm thinking about best combo for my Fuji xt-20. It's an age old question, what is more practical. A set of small f2 primes. 50mm f2, 23mm f1.4 (IQ of 23mm f2 is disapointing to me), and something even wider like 14 f2.8/ rokinon 12mm f2. Or a slow zoom 10-24 f4 and 18-55 f2.8-4, that you don't need to change that often. What is your expirience? I will be visiting cities, that's why I need wide angles lens for architecture. I currently own 23mm f1.4, 56 f1.2 and 18-55 f2.8-4, for context.
  4. Anyone having/had problems with factory standard settings, brand new x-t3 with kit 18-55 lens and focus hunting? I cant find anything online about this so assumed it was me...until I showed Fuji. Lens fully zoomed in on a parking lot, no moving cars, or trees, shot in daylight, plenty to focus on (IE not a white wall), using factory set focus settings straight after a reset of camera, OIS on or off made no difference, ISO auto, shutter @ 1/60, aperture manual, 4k30, shot handheld, AF-C, UV filter on lens, focus point was central in frame (nothing moving) and about 20 meters away and nothing in between camera lens and focus point (trees). To try and find out what was causing the problem I set the aperture to f20 = approx 2 second hunting frequency (from completely blurry to sharp, IE not a small hunt, its like it moves from extreme to extreme). As I reduce the aperture towards f16, frequency increases to say 0.5 seconds and then at f10 its not possible to see on the camera screen that there is hunting. My test seems to show its aperture & zoom related, regardless, I cant accept that this is ok. Above video in question was shot at the Fuji HO in South Africa to demonstrate the problem to Fuji so I don't have the video at the moment because I sent the camera in due to this hunting problem. They still don't know what the problem might be so I thought I would reach out and see if anyone can reproduce my problem so I can help Fuji help me solve my problem. I have had a consistent problem with focus on the camera with a hit rate of probably 60%, video & photo. Even when the camera locks focus in AF-S mode, stationary scene, eye focus mode on and face mode on, photo mode, the camera will miss the shot and focus on the rear of the head region while it tells me its focused on the eye when clicking the rear dial in to show the focus point. Any insight would be appreciate!
  5. I am at a juncture that I believe many of you are, or have been, at. Every now and again I find myself 'lost in tech' and need to ground my self again to improve my photography and focus on the things that really matter, not f stops, focal lengths, micro-contrast but photography; painting with light. I currently have a handful of fuji lenses, need to sell some and probably need to buy some to achieve something I believe will be better...maybe not. As we all know, but don't always admit to, the most important piece of gear we own is the 12 inches behind the camera. My best photos ever taken were on equipment seriously lacking in 'currentless' So, to get to the crunch.... I want a selection of gear to capture my life events, in decent quality, to help others capture theirs through small photo shoots and to record beautiful places I have experienced. Could be the bar, the theatre, the wonders of the world or my garden.. it's all available. I'll ignore my collection of film camera's for the minute and focus on Fuji X-series, why were here... I have read reviews on all the lenses currently available and have decided on setting out my stage as buying the best I can afford without spending a fortune, I work in a normal job!! I started out with an X100 and used it alongside my Canon 20D, and then 5DII full frame with some nice glass. I have now sold all Canon gear (apart from 430EXII speedlight) and ended up with X-Pro2 and X100T. The X-pro2 is an amazing camera, my excuses diminish shooting with it. I can split the rest of this blurb into 2 sections - my advice and my outstanding queries Anything I say is purely user based. I dont really pixel peep, check for distortion levels and far corner sharpness when I dont look there..I want to see a nice looking capture of a nice thing, end. Some focal lengths are definitely more suitable to the success of what you set out to achieve, nothing more, nothing less. I personally, and it's personal, like to capture, street, scenic, people images with a smattering of wildlife thrown in, so have based my lens selections on it...apart from a couple of them that came my way. The widest I own is the 18mm, a fairly dis-respected lens, I love it, small discreet and nearly all my scenic stuff shot thought it. At f8 with a ND10 filter I have captured some beautiful images, well at least I like them.. I have the 27mm pancake bought as part of the X-pro1 promotion but have only used it for a handful of shots. I think its the lack of aperture ring on this FL that puts me off, a big reason for coming to Fuji was the lovely manual ring....more later on a lens I have bought today that hasn't!! It has a great deal of sharpness but the f2.8 on this FL doesn't give a lot of scope of creating a nice background blur. It is however a great lens for setting at f5.6 or f8, zone focussing and just clicking away. Its quite liberating not thinking about the camera The X100T following on from my X100 confirmed to me the usefulness of the more that useful FOV but I still went ahead and bought the 23mm f2 even though I already had it!! I convinced myself that I could leave my X100 at home and still have the FL when it suited me?? Kinda works as it does give me a smaller 'foot print' The 23 f2 on the X-pro2 is sharper and better contrast than the X100T at f2 but comes with baggage, the X100T is where it's at. Difficult to explain but feels so good. I have an olympus 35SP and a Rollie 35S that yields similar feelings. On the 35mm front I own the f1.4 and the f2, the 1.4 came first on a instinctual ebay purchase one boozy night, I do like it but wanted the f2 so WEX helped me out. The form factor of the f2 is nice on the x-pro and the images are sharp and colourful, strangely almost too much. The 1.4 seems more 'natural', there is a very high chance I will sell the f2 as the subject matter I shoot doesn't demand the faster focus etc I bought the 18-55 second hand, still have it but cant get excited. It allows flexibility and saves me moving my feet, but pics are only recording whats there, difficult to add artistic impression. I might use it for Thailand to record my holiday but will need some nice primes to capture it beautifully. Now onto the the longer focal lengths...this is where it gets difficult for me. I bought the 56mm f1.2 as I needed a fast, short tele for a wedding, what a lens!!! I love it. The rendition whether optically perfect or not, is amazing. Once you get used to the razor thin DOF and the huge aperture/shutter speed selection the images it gathers are outstanding, it's 1.2 so I want to use it at 1.2. It is bulky but coming from a DSLR/Medium format film background it's insignificant. I'll ask a question later on the 50mm f2 I bought the XC 50-230mm today after much research and the reluctance to spend such a lot of money on the 55-200mm for something I only occasionally use. I'm going to Thailand later this year and doing a bit of nature park stuff. Hopefully it will help me yield decent images of creepy crawly, furry, jumpy things. The most fun I have just now with longer FL's is the veritable Nikkor 105 f2.5 and the Zeiss 135mm f3.5. Both the lenses on the X-pro2 are amazing, they take some practice but with the focus peaking and EVF the results can be superb. If fact my favourite butterfly photo was through the Nikkor, the smooth rendition and colour reproduction is to be lusted over. Hopefully the 50-230 wont make me sell them.. Onto my request for help This week I went camping to a beautiful location, The Island of Mull on the west coast of Scotland. I was changing lenses way too often, lovely scenery with the 18 or 23 then the Zeiss 135 for the Golden Eagles. In the towns the pace was pretty slow so I managed to get some lovely shots of Tobermory harbour with the 23mm. I do wish I had the 50mm f2 at times though for detail capture around the town. I want to go prepared for Thailand with the right kit, I felt stressed on Mull getting the right gear together which did impact on my holiday, in Thailand i would like stress free so what do I take? The 18-55/50-230 plus a fast short sounds the best combo, what do you think? I have asked this forum on this before but without my experiences, please excuse me. If you want me to share some pictures captured with the above lenses let me know Please let me know your thoughts Cheers
  6. I'll be going to England (Cornwall & London) next May. I know the weather there can be unpredictable. I don't plan to be out in a downpour, but I don't want to let a little drizzle or sand stop me. I have an XT1 body. Will the 18-55mm be okay? Or should I consider the 16-55mm, just in case?
  7. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  8. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  9. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  10. From the album: X-E1 - Loveland Pass, Colorado

    Shots from a trip thru Colorado on July 10th, 2016 - up at 12,000 feet. My first time with the Fuji in the mountains. I had real good luck using the Astia film simulation.
  11. I've read a lot of articles about the importance of turning off OIS when using a tripod, and I've always been a bit skeptical about this. So I thought I'd carry out some tests, and I'd like to share the results. In summary, I can see no significant difference between having OIS on or off, and I am not going to worry any more about turning it off when I'm using a tripod. Another urban myth exploded, though of course that's just for me - your experience may be different. You can see the annotated images here if you are interested: https://ianpiper.smugmug.com/Test-images/OIS-tests/ Method and materials (yes, I was once a practicing research scientist) I used a Fuji X-T1, firmware v4, with a Fuji 18-55mm XF lens, firmware v3.12. The tripod was a Gitzo Mountaineer Basalt model with a Manfrotto Junior geared head, adapted to have an Arca plate. Each picture was taken using auto-focus on the centre of the image. I used the self-timer to minimise movement. I took two sets of images; one with OIS on and the other with it off. For each set, I took images at f8 and f11 (the sweet spot for this lens, in common with most Fuji lenses in my experience) at 18mm, 23mm, 35mm and 55mm.
  12. I shot this photos on a climbing path over the city of Caprie, in Piemonte, Italy. It's a climbing that whoever with a normal physical form can face. Carring the X-T1 all the way to the top wasn't difficult, expect from some difficult transition where the rock was on my left side (where I had the camera), and the weight of the camera + lens didn't bother me at all. I almost forgot of it in some moments. Here some of the shots I took. #1 #2 #3 #4 #5 #6 #7
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