carylee2002

I've used my XH1 with vintage AIS prime lenses and I find it very useful when using lenses that are big and heavy like my 85mm 1.4 and larger. The IBIS works fine but for real stability it is best to use a tripod/monopod. Especially when using large zooms.

I shot with my XT2 and XH1 using identical kit lenses on a 2-camera interview and found no problems when editing with Premiere....You do need to have a common film style and shooting for consistency. I used a video version of the Color Checker Passport on both cameras and also had mikes on both cameras. I also shot in F-log raw format but you can use Eterna if that is easier..I prefer to color correct in post. I also made sure both cameras were manually white balanced using a 18-grey card and not relying on auto because of the different lights hitting the sensors would produce inconsistent results. My results ended up almost identical when doing this method of shooting. Now with the XT3 with a new sensor your image might be different out of camera if you just shot at stock.

I use besides my existing Fujifilm glass, Takumar vintage lenses like my Pentax Auto Takumar 55mm f2.8 and Super Takumar 105mm f2.8 lenses. Both are M42 and the results are very nice and both are not radioactive lenses.

I use a voigtlander 21mm Skopar F4 and have found that is inexpensive, light and very good in its optics when using the fuji adapter.

Im in the process of getting a hold of old Speed Graphic and mount a petzval lens to get the effect for medium format and 4x5. But after doing some research for use of fuji cameras i would rather mount a helios 44-2 lens to get the swirly effect at a fraction of the price.