mdm

X-E2 + 35f2

X-E2 + 23f2 (Analog Efex Pro)

X-E2 + 18-55

It looks like it is too dark around when you shoot and your auto ISO might be configured incorrectly. If you set upper limit to ISO 6400 and don't let shuter go below 1/320 with 35f2 you hardly get mis focused pictures.

X-E2 + 23f2

X-E2 + 35f2

I will. There are some pro-level Labs around, who process films, sсan it, print digitally and optically, so no need to sit in the darkroom. As a matter of fact I see I do to much rubbish shots and hope shooting film will discipline me somehow. Second, I spend much time in PP trying to simulate some films with unsatisfied results. I'd rather spend this time on the streets. So, of cause I'll hardly abandon Fuji completely at this stage and see how things go but if X-E3 just replicate X-T20 I'm not so sure about the purchase.

While Fuji is considering whether to release X-E3, I found myself a new camera... Fifteen years ago, I put it in the closet Musical Fidelity A2 CD player, bought Rega Planar 3 turntable and ever since listen to mostly vinyl LPs. Maybe it's time to go back to film?

My guess is that it would be presented during some major event like photo or consumer electronics show.

X-E2 + 23f2

X-E2 + 23f2

Sleeping rider

X-E2 + 35f2

X-E2 + 35f2

Well, I see just one major company moving this way. It's a Sony.

Do what? Do they want a camera without moving parts? Do they want some chip implanted into their brains with one eye substituted with a lens? I prefer clickable limbs, rings and buttons.

And I don't give a shit...

http://www.fuji-x-forum.com/topic/4501-ebook-%E2%80%9Cthe-fujifilm-x-t2-120-x-pert-tips%E2%80%9C-available/

I'm afraid that if it were that simple, then software like VSCO simply would not exist. So, the only thing that we can do is to set colour to -2 and lower the cotrast by setting shadows and highlights to -2 as well. Not sure that the images would look dreamy though.

It was added to x-e2s manual

Sunset in Egypt.

X-E2 + 27f2.8

You are definitely not.

For me shooting strangers is the most challenging kind of photography. Not from the technical point but when you are on the street you are out of comfort zone and every single moment you should to overcome yourself just to rise the camera and release the shutter. It's more then just taking pictures, it;s a kind of competition with yourself.

Both lenses a equally great. But as a street photography is my main interest these days I use 23mm a lot more often then 35mm. I've just spent a week on a diving boat and before the trip I'd seriously considered 18-55mm as a lens to go however I took with me another single lens - 14mm and was absolutely happy with my choice. 14mm provided me with uncut and dynamic images in that quite limited space.