algrove

This is a 12x12" (30x30cm) low volume, high quality book shot entirely with XT-3 cameras. It is 52 pages with 61 images and includes extensive commentary on each image including environmental particulars. Cover page shown. It sells for USD $149.

Thanks DTA. No video but want it responsive for continuous street shooting.

I want the fastest SD cards, but overkill will be a waste of funds, Any comments? Thanks.

Thanks mdm. So you are using the pro-3 and shooting from the waist or shooting while looking down at the rear LCD while folded out? Interesting technique of you use it MOST of the time. When you use the OVF on the pro-3 do you add the real time view of the your frame in the lower right corner of the OVF view?

Thanks soerho

SPB Thanks for your input.

Sperho-thanks for your comments. I have an eye problem and can only use my right eye. Thus a RF view works, but due to eye issues will probably not use OVF all that much and that is the source of my question. I do not tend to chimp much if shooting street continuously. The look of a body means little to me as its the results that count so a camera that ges out of the way is what I want. Will get the 24/2.8, 23/2.0 and 35/2.0 to start with and maybe add the 56/1.2 later.

any comments for mainly street photography?

in the title I mention for Sreet and travel photography. mostly street and sometimes travel.

I am not sure if the extra $500 for the XPro3 over the XT3 is worth it for my needs. Comments.

I am not sure if the extra $500 for the XPro3 over the XT3 is worth it for my needs. Comments.

site is: photopxl.com, then look for Steam engine article near top

No I have no idea, but everything was black except for the red buildings

Using The Fuji 50R To Shoot Steam Engines In The Cold Of Winter – PhotoPXL.webloc

Using The Fuji 50R To Shoot Steam Engines In The Cold Of Winter – PhotoPXL.webloc

Using The Fuji 50R To Shoot Steam Engines In The Cold Of Winter – PhotoPXL.webloc

you might do better with replies if you enter this post under the 50R section.

Interesting you moved from Leica. I assume it was the M system? I also have used he M for many years, but kept the M due to being sure I could ude the 50R on the street. The 45 so far is best suited GF lens for street to me, but I will try the small 50 when it comes out. Agree about the AF system-it works fine for me and the grip is no big deal either.

I have told my local dealer I want the 50/3.5 once out, but I feel there still is a large gap between the current 45mm and 23mm prime lenses. Perhaps a small 30mm would be optimal since it equates to a 24mm lens on FF cameras. I have tended to use 24mm lenses on many different systems with success including the XT-2 where the 16/1.4 was a much appreciated lens and is a 24mm FF equivalent lens.

Mamiya fisheye 645 lens gives a 180 degree FOV. Works well.

Sorry only Mamiya 645 lenses via Fotodiox adapter here. Also Leica R lenses with Fotodiox

I use C1 most of the time so cannot help. Did you get it resolved? It would be good for others to know how to solve a problem you brought up.

Files extremely malleable in C1.

Very well balanced even with the new 100-200 attached. Of course I put my left hand under all lenses on all cameras.

I do those adjustments in software.