Thanks for that info Larry. I do agree that Fuji has a serious professional presence with their lenses, and that tools are relatively cheap compared to what they used to be (BMPCC etc). However I am looking at the likes of Canon which has implemented good video options (ie you can use Cinestyle profiles to reduce clipping) to where Fuji can grow. Canon/Sony/Pansonic - the 3 bigger players in the hybrid market all have professional lines they need to protect (although Sony and Panasonic (especially Panasonic with the release of V-Log) have been very generous to the lower end of the market) - which is why I believe Canon has been so tight with jumping to 4K, and crippling the 80D.
I must admit I wanted 4K for extra clarity when down-scaled, however my iPhone now has it - and to be honest I would actually rather far better dynamic range (not possible with the sensor size) and being able to use DOF to your advantage. Fuji X series has amazing glass and produces brilliant colour - it's a potential match made in heaven.
Maybe I am dreaming of RAW 1080P, or even 1080P jpegs @24 or 30fps. Fuji does however need to implement more features. Even the X-Pro2 you cannot control the highlight/shadow tone like you can in photo mode....! This is a huge oversight. They really need to be putting in a "flat" (or similar to cinestyle) to really capture some interest from the hobbyist video crowd. Maybe this isn't what fuji is after, but from what I've read there are lots of people interested in a solid hyrbid platform - fuji nails Stills - they just need to get solid video. I would most likely shift to another system in the next couple of years if a better options arises (Nikon is making solid inroads). I refuse to give up the EVF though hahah.