KenBures

I have not found a thread on this topic, so I am starting a new one. Page 30 of the X-Pro2 manual describes how to use the Fn2 function button on the front of the camera to view in the optical view finder (OVF) the bright line rectangles corresponding to various lens focal lengths. There are two possible views: one shows the "telephoto" rectangles (35mm to 90mm) and one shows the "wide" rectangles. But the manual's description (or at least my interpretation of it) does not clearly tell how to switch between those two views. I can only see the "telephoto" view. How do I toggle between the two views?

I didn't see an existing thread about this, so here's my question: Somehow I accidentally got my X-PRO2 into the 'C1" custom setting mode. According to the manual there is a "BASE" setting in which no custom setting is selected as well as seven custom settings C1-C7. The figure on page 47 of the manual shows the Quick Menu Display with the word "BASE" displayed in the upper left corner. However, I can't find anywhere in the manual where it tells how to get out of a custom mode (C1-C7) and back to BASE. How do I do that? Ken Bures

I think I am having a problem with my OVF that is related to the issue of this thread. I have a non-Fuji 90mm lens attached to an X-Pro2 with Fuji's M-mount adaptor. The OVF shows not one but two brightline frames. Both are the same (correct) size but one is bright and has the "focus zone" box at its center, and the other frame is dimmer and offset from the brighter one by about 10 percent of the frame's dimensions. Both are sharp, one does not appear to be a stray reflection or something like that. The dimmer frame does not have a "focus zone" box associated with it. When the camera is in landscape orientation the dimmer frame is to the right of and below the brighter frame by about 10%, and when the camera is in portrait orientation this means that the dimmer frame is now below and to the left of the brighter one. The dimmer frame gives the correct framing (the actual image is slightly bigger than what this frame shows but it is centered properly). In the portrait orientation, the brighter frame cuts off the top and shows more at the bottom and left side, just as Harold experienced. Does anyone know why there are TWO brightline frames? Is there a way to fix this problem? Ken Bures